“Oh my god, my life is so fucked up,” Elia Einhorn emotes in the most overwrought fashion possible on the otherwise lightly swinging “Something’s Happening,” delivering the clincher for both laughs and blood: “I’m supposed to go out with Alie to a midnight movie at the Music Box / Maybe we’ll see That Sinking Feeling, maybe we’ll see A Clockwork Orange.”
It’s this tension between dystopia and depression, situation comedy and ultraviolence, that makes Scotland Yard Gospel Choir more than your average Belle & Sebastian lite. Einhorn writes ditties about women who “kicked the shit out of my heart,” failed suicide attempts, emotionally empty one-night stands, the possibility of a godless existence and other end-of-this-world tidbits left behind like so many existential breadcrumbs on life’s gravel path.
And yet, despite this none-more-bleak worldview, it all comes across like Morrissey circa The Queen is Dead, played for self-skewering yuks like the darkest moments of a tragic standup comedian, moments before the accidental OD. Imagine the Mekons covering “Girlfriend in a Coma” and you’ve got a fairly good idea of what SYGC is going for on this record.