On first blush, Ani DiFranco’s 20th album is a surprisingly sunny celebration of domestic bliss. “Smiling Underneath” and “Way Tight” chronicle the restorative powers of love in the midst of a soul-sucking world, and “Present/Infant” and “Landing Gear” ruminate on the disruptive but joyful challenges of DiFranco’s new baby daughter. But because this is an Ani DiFranco album, the motor-mouth invocations of Grrrl Power and exhibitions of disarming vulnerability aren’t far behind. Looser and funkier than 2006’s Reprieve, Red Letter Year is a dazzling folk/punk/jazz hybrid. Only bizarre paean “The Atom”—a song that tries to be a secular hymn and protest song, and ultimately fails at both—mars the otherwise fantastic track sequence, which concludes with a reprise of the title track as a joyous New Orleans-brass-band stomp.
Listen to Ani DiFranco's "Smiling Underneath" from Red Letter Year:


I think ani-d has something goin' on here. The song made me want to go find the album and listen to more cuts. I agree with the reveiw when it states Ani is doing the "folk/punk/jazz hybrid" thing. The thing that may hold Ani's latest production back is relating to the young female listener who often found Ani to be their personal mavrick. Not every girl has babies cuttin' teeth hangin' around them. Did ani-d limit her audience?