The Chef is back in the kitchen
In the years following the Wu-Tang Clan’s 1993 masterpiece, Enter
the Wu-Tang (36 Chambers), each member of
the Clan’s post-Wu output has been met with varying degrees of success.
Ghostface’s Supreme Clientele and
Raekwon’s Only Built 4 Cuban Linx
are generally considered to be the best, and that pedigree is a blessing and a
curse. The Chef hasn’t been able to recapture the creative spark of OB4CL in the decade-and-a-half since its release, making
his ambition to write a sequel something of a gambit.
The reunion of Ghostface and
Raekwon (right down to the identical pose on the album cover and “Guest Starring
Tony Starks” tagline) is part of what makes the long-awaited Only Built for
Cuban Linx II a Godfather Part II instead of Part III. One of indie-dom’s favorite rappers serves as the perfect
point man for Raekwon’s return, serving up blistering verses and playing the
loose cannon to Rae’s straight man.
But where OB4CL2 really shines is in its production. The album
picks up seamlessly from where its predecessor left off, and maintains that
iconic early-'90s Wu-Tang sonic aesthetic, complete with samples from classic kung-fu flicks. J. Dilla’s work here is a fitting swan song for the
now-departed studio maven; his three tracks are easily the album’s finest. And RZA seems to have buried his beef with the
Chef with a raft of top-shelf production work and a featured verse on “Black
Mozart.” His ponderous soul sample on the standout “New Wu” coasts on a throwback beat as Rae spits “move like ‘91 Romans / cloning everything, gents only / the rent’s on the stove, I’m in Rome.”
OB4CL2 is heavy with
guest verses, but none feel like a gimmick to move albums. Members of Wu-Tang
compose the lion’s share of features, with luminaries like Beanie Sigel, Styles
P and Slick Rick filling in the gaps. The lyricism is a non-stop barrage of raw
and frenetic rhymes, recalling grim tableaus of bullet-riddled alleyways in New
York, Wu-Tang’s stock-in-trade: “the streets stay flooded with crack rocks and
mac shots / the scenery’s money / gorillas in the backdrop,” Inspectah Deck
raps on “Mean Streets."
The album drags at points; with 22 tracks and a 70-minute
runtime, some of this material would have been better off on a mixtape. But
that’s a minor flaw in an otherwise superbly-executed gangster epic. OB4CL2 manages to simultaneously build on the Wu-Tang saga and maintain a gritty charm all its own. Simply put, it's a classic, and one of the best albums to come out of the New
York rap scene in the last decade.
Listen to Raekwon's "10 Bricks (feat. Cappadonna & Ghostface Killah)" from Only Built 4 Cuban Linx II: