Girls: “Females Only,” “Truth or Dare” (Episodes 3.01, 3.02)
Photo courtesy HBO
Hello, and welcome to the torch passing of Girls reviews over at Paste. I’ll be taking the task over from Paste Senior Girls Reviewer (and videogame editor on the side), Garrett Martin, who’s been following Hannah Horvath and her crew of 20-something New York women who are just trying to figure it all out and live happy, healthy lives over the course of Girls’ first two seasons. If you weren’t a fan before (but you were watching the Golden Globes and aren’t a supporter of Woody Allen), maybe you caught a glimpse of the show’s third season last night. Or, like me, maybe you have been counting down to Girls day for a while.
Either way, welcome to Girls: Season Three. It starts with maximum drama, with Adam’s ex-flame/Hannah rebound, Natalia, berating him in Grumpy’s coffee shop over the age-old dude-tells-woman-he-loves-her-then-just-never-calls-her-again scenario. It all happens right in front of Hannah and a chuckling Ray—and although it’s about as comfortable as watching your parents argue, somehow it feels like home again. Immediately, I’ve got questions: Does Hannah love Adam more or less for his dumping of this new love interest for her? Or is she stressed about how he just up and left her without saying anything? Does Natalia really think that Hannah, who’s got a long history with Adam, doesn’t know what weird bedroom shit he’s into? It’ll all (kind of) come out in the episodes to come, but before we launch into new Girls (not to be confused with New Girl), let’s look back on last season’s up-in-the-air finale.
We were following a late-blooming (read: sexually liberated) Shoshanna, who was eager to explore relationships outside of Ray, whose own ambition was defined by the expectations Shosh put on him. Jessa’s slowly unearthed family life shined at least a little light on her carefree, globetrotting ways—but that’s before she dropped off the face of the earth, resulting in a profanity-laden voicemail left by Hannah at the peak of her breakdown. Marnie and Charlie appeared to finally put an end to their on-again-off-again relationship after Charlie hit it big with an app company. It was an uncomfortable ending with them, especially when she uttered something along the lines of “I don’t care about money—I don’t even know how much you have” (pause for that weird “you have money, right?”), and Charlie confirms that, yes, he’s got plenty. So the two stare lovingly and smile into each others’ eyes, probably thinking of the private school they’ll send their Ugg-wearing kids to, or how awesome Charlie would look in a Porsche. (That’s what young people with money dream about, right?) But the character left with the most room for redemption (and one with the most hope) is Lena Dunham’s Hannah, who we last saw being scooped up by the walking, hairless torso that is Adam, right after Hannah nearly broke down from her struggles with OCD.