So Thirsty Is Everything You Could Want from a Rachel Harrison Vampire Novel

Rachel Harrison and vampire fiction seem made for each other. In the four years since her acclaimed debut, The Return, Harrison has established herself as a writer of consistently entertaining, witty, viscerally effective horror fiction of stealthy depth, rivaling Grady Hendrix in her ability to blend subgenres and conceptual hooks with genuine emotional payoffs. And, since she’s already done witches (Cackle), werewolves (Such Sharp Teeth), and Satanists (Black Sheep), vampires seemed like a logical next step for her talents.
But So Thirsty is more than just the next logical progression in Harrison’s career. In tackling the stew of horror metaphors that is vampire fiction, Harrison has found arguably the richest vein (pun intended) of emotional vibrance in her career thus far, delivering a novel that’s fiendishly funny, chilling, and profound all at once.
Sloane is a thirtysomething woman stuck in an unfulfilling marriage, living vicariously through the jetsetting life of her best friend Naomi. Because Naomi’s traveling all the time with her rock star boyfriend, they don’t get to see each other much anymore, but that changes with Sloane’s approaching birthday. Gifted a stay at an idyllic Finger Lakes resort by her husband, Sloane retreats into a getaway with Naomi to rekindle their friendship and hopefully get some perspective on her life. But Naomi isn’t content with a quiet vacation and soon whisks Sloane away to a strange party, where both of their lives change forever.
Like every author tackling vampire fiction for the first time, Harrison gets to pick and choose the basic rules of this encounter, and the change it elicits in both Sloane and Naomi. Her vampires behave in a distinctly Harrison-esque way that makes them both glamorous and messy, funny and sexy, particularly when Sloane and Naomi begin to adjust to the particulars of their new lifestyle. Sloane narrates the action in propulsive, present-tense prose, and Harrison’s wit emerges both intact and even more developed in this, her fifth novel. It all makes for a very fun read that pushes you to keep turning pages, particularly when things start to get bloody.