The Last Man on Earth: “Screw the Moon”

Last night’s season finale of Last Man on Earth did what needed to be done with this show: promised change. As much as I’ll miss certain actors and characters if Carol and Tandy do leave the cul de sac (especially Todd—Mel Rodriguez is the show’s secret weapon), expanding the show’s scope will keep it feeling fresh. What made this show so amazing at first was its refusal to follow TV convention, but by the time Melissa (January Jones) showed up and Tandy (Will Forte) spent like five episodes lusting after her, it started to feel like a more traditional sit-com. Heavily skewed and refracted, of course, but a weird setting and fine performances couldn’t entirely justify material that felt old. In trying to make fun of typical sit-coms, Last Man on Earth briefly felt like too much of one.
The plot advanced a bit with the arrivals of Mary Steenburgen, Cleopatra Coleman and Boris Kodjoe, but the basic template of Tandy being the absolute worst obviously couldn’t last forever. It was surprisingly sweet to see Carol (Kristen Schaal) rescue Tandy and decide to leave Tucson with him, and if season two wants to recapture the magic of the first few episodes it should focus on the two of them traveling through a dead America. (Maybe Todd can come with them?)
If you’re wondering how it got to that point, though, it all came about from Tandy and Todd’s plan to kill Phil (Kodjoe). Tandy spoils that plan almost immediately, telling Todd at the start of the episode that they should go abandon Phil in the desert. (While they’re plotting this Phil is trying to make all of their lives better by setting up a solar power grid.) Todd recognizes that plan as what Tandy tried to do to him a few episodes ago, and gets so sad and angry that he refuses to help Tandy. Tandy loses his temper and yells that he hates Phil loud enough for Phil to hear him, which sets the episode’s plot in motion.
Todd tells the group that Tandy tried to kill him, and they agree to finally banish Tandy. Before they can force him out, he bars himself in his bedroom, where he lies around for days crying over his plight and his newly revived love for Carol. Carol talks him out of his house, and he returns to the campfire to find everybody singing “Leaving on a Jet Plane,” seemingly okay with his return to their settlement. And then Phil tackles Tandy out of nowhere and it suddenly turns into a horror film.