Writers/Artists: Bastien Vivès, Michaël Sanlaville & Balak
Publisher: First Second
Release Date: October 7, 2015
Picking up where previous volumes of the explosive French Manga left off, Last Man Volume 3: The Chase begins in media res: Adrian, the young pugilist protagonist of the first two volumes, and his mother ride across The Valley of The Kings—the quasi-magical realm where they reside. They cross a rift into a world closer to ours than theirs, but still a far cry from any reality we would recognize. Police resemble Mad Max-style wild men who feud with equally-feral firefighters, and judges are styled after professional wrestlers who win their cases by literally throwing the book at the defendant. Following the initial exposition of Adrian and a macho drifter fighting in a medieval martial arts tournament, this relentless pace should seize wandering attention spans and match the escalating rhythm of nostalgic Saturday morning cartoons. (Appropriately, Last Man is in process to join that medium as well.)
The Last Man series —produced seamlessly by the trio of Bastien Vivès, Michaël Sanlaville & Balak—wears its shonen manga influence on its sleeve: its narrative is broad, accessible, easily defined and melodramatic. The characters are affable and familiar, but they lack nuance and depth. This approach straddles the line between endearing and alienating; it’s admittedly simple, relying on the strength of its cartooning—the articulation of its story—more so than its actual narrative.
