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Irish Blood Is a Crime Drama That’s as Much About Family as It Is Murder

Irish Blood Is a Crime Drama That’s as Much About Family as It Is Murder
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Irish Blood is the latest addition to streamer Acorn TV’s slate of cozy crime dramas, shows that feature mysteries and murder but little gore or over-the-top violence, and which usually rate character development higher than twisty whodunnit plots. (See also: Art Detectives, Harry Wild, My Life Is Murder). Its larger premise varies slightly from the norm, given that it stars an American (who is immediately transported to the picturesque hills of Ireland within the show’s first fifteen minutes), and its procedural-style investigations of the week are all deployed in service of a larger season-long mystery. But the general vibes are the same. 

Of course, the big hook for this particular series is that it stars Alicia Silverstone, the actress who is best known for her iconic turn as Cher in Clueless. Silverstone has appeared in a variety of film and television roles since then, most recently starring as Kristy’s mother on the excellent (and, sadly, gone-too-soon) Netflix adaptation of The Baby-Sitters Club. But here, she’s asked to carry an entire series on her back for the first time, and, for the most part, does so admirably. 

Silverstone plays Fiona Fox, a high-powered, take-no-prisoners divorce attorney from Los Angeles who has never gotten over her beloved father, Declan (Jason O’Mara), walking out on her and her mother (Wendy Crewson) when she was just ten years old. Her resulting daddy issues have informed much of her life, from her career choices (she’s very into making men pay for their relationship crimes) to her lack of trust in people, particularly potential romantic partners. But when she receives a cryptic package from Ireland that appears to be from her long-absent and estranged dad, she drops everything for the chance to get to the truth about the great unanswered questions of her life. 

But when she arrives in Ireland, she’s forced to confront the idea that many of her assumptions about her father were wrong. Because it turned out that he’s lived a much darker and much more complicated life than she could have ever imagined. The discovery of a mysterious briefcase full of random objects tied to specific memories from childhood or stories Declan once told his daughter when she was small sends Fiona on a quest to find out the truth about what’s happened to him, and potentially solve some dangerous crimes at the same time. 

It probably won’t surprise anyone that Fiona’s not a particularly experienced or talented crime solver, so she gets some help from a young Irish police officer (Ruth Codd) and the handsome owner of a local boxing gym (Leonardo Taiwo), with whom she has immediate and intense romantic chemistry. (I ship it, is what I’m saying.) International aid is provided in the form of Fiona’s assistant Tess (Djouliet Amara), an internet whiz who’s particularly skilled at tracking down information. Maybe she’s the real reason Fiona always seems to know everything about her client’s dirtbag exes. 

Much like some of its other Acorn TV siblings, the mysteries are the weakest and least interesting part of Irish Blood. The show’s trying hard to have it both ways—give viewers weekly mysteries that can be satisfyingly wrapped up in the space of 42 minutes or less, while still balancing them alongside the steadily unraveling larger question of Declan’s past. There are some interesting elements—one mystery involves horse racing, another MMA fighting, and a third a surprisingly close connection to a criminal gang—and they’re all set against the sort of gorgeous scenery that works overtime to become a character in its own right. But they’re mediocre at best.

Irish Blood is at its most compelling when it’s focused on Fiona herself.  Nothing about this series works if we don’t care about her journey, and Silverstone allows her to be charmingly vulnerable throughout, displayed through everything from the new relationships she’s forging to the subtle changes in the character’s style of dress over the course of the series’ six episodes (all of which were available for review). She has solid chemistry with O’Mara, even if the demands of the story mean the pair only ever interact in hazy dream sequences or flashbacks into which Fiona has mentally inserted her adult self.

But the show shines when it’s dealing with Fiona and the very real new family she’s unexpectedly found. Neither she nor her Irish relations ever knew the other existed, and many of the show’s best scenes are those in which Fiona and the Murphys are tentatively getting to know one another. There’s spiky grandmother Isadora (Dearbhla Molloy), her father’s siblings Una (Simone Kirby) and Finn (Stephen Hogan), and technically, an entire town with opinions about who the Murphys are and what it means to be part of their clan. Fiona’s mother, Mary, even crosses the pond at one point to meet her ex-husband’s family, and there’s something surprisingly sweet and satisfying about the multi-generational meet-cute of it all.

In fact, Irish Blood as a whole is surprisingly female-centric, giving Fiona the sort of extensive support system of women that it seems glaringly apparent she’s never really had in her life before. While unexpected, the presence of multiple female characters provides a necessary and refreshing balance to the daddy issues that drive so much of the show’s overarching plot. It’s a big piece of what ultimately makes Fiona’s reckoning with her father’s past feel genuine. She’s not doing it alone. 

The series’ final episode offers some necessary answers, but also ends on the sort of cliffhanger that indicates we are almost certainly not done with the larger criminal elements at work in Wicklow. How Irish Blood changes in a second season that will almost inevitably shift away from much of what we saw in its first is anyone’s guess, but the series is a pleasant enough diversion that it won’t be any trouble to find out. 

Irish Blood premieres August 11 on Acorn TV. 


Lacy Baugher Milas writes about TV and Books at Paste Magazine, but loves nerding out about all sorts of pop culture. You can find her on Twitter and Bluesky at @LacyMB

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