Catching Up With… Jon Foreman
One of the more under-the-radar events at this year’s SXSW was a Paste-sponsored screening of the upcoming film titled Call + Response: A Concert To End Slavery. Filmmaker/musician Justin Dillon uses music as a jumping-off point to explore the issue of human trafficking, calling attention to the millions of people living in some kind of bondage—more than existed at the height of the Trans-Atlantic slave trade in the 1800s. One of the artists in the film, Switchfoot’s Jon Foreman, stopped by The Dell Lounge presented by Paste and Stereogum.
Paste: Last night a bunch of the Paste folks got to see a rough cut of Call + Response. Jon, how did you get involved in that?
Foreman: Well, I met Justin [Dillon] a little while back and basically we were a part of a lot of things going on. We’ve done a few concerts around the world that have been associated with human trafficking and have been trying to alert the public to what’s going on—not only in Manila, but also here in the States—because I think that’s the thing that shocks me. Of course you expect this sort of thing to happen in the darker, less-controlled areas of the world, but it’s happening here in the States. In my hometown, San Diego, there was just a big bust. It’s the type of thing where I think there should be a public outrage, that we should all be very, very alarmed that this is happening in this day and age.