Royal Canoe spend every day in a sh*t-hole rehearsal space writing hooks, singing through effects pedals, scrawling lyrics on scraps of paper, and constructing heavy beats in odd time signatures. They create samples by running conventional sounds through unconventional pieces of gear, drumming on bathtubs and garbage cans, listening to Big Boi and manipulating bits of old records.
The band calls Winnipeg, Manitoba, Canada home – the enigmatic prairie city, which has served artists as both an abundant, creative watering hole and a debilitating quagmire. The city's mood swings from euphoric summers spent biking with beers, fence-hopping residential pools and climbing abandoned roof-tops to harsh, bitter winters that are countered first with defiance, then self-loathing, then denial, then "you've got to be f*cking kidding me." Royal Canoe's songs are, in part, an effort to make sense of the resentment and romanticism of the city's divergent identities.
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