Anatomy of a Scandal: A Forgettable Take on a Critical Subject
Photo Courtesy of Netflix
In many ways, Anatomy of a Scandal is the perfect Netflix show. It has the trappings of prestige (with an excellent cast and a well-known co-creator), it’s a quick binge (six hourlong episodes that never push close to the hour mark), and it might even have had something to say about an important issue if it weren’t so thinly drawn. Anatomy lets you congratulate yourself for watching something seemingly dark and provocative, but not something so dark or provocative that you can’t immediately forget it and move on with your day. The ultimate binge and purge.
And that’s a shame, given what Anatomy of a Scandal could be. Instead, it’s a paint-by-numbers thriller that ostensibly investigates the nature of sexual consent without really making us feel invested in any of the characters involved, however well-acted. Based on Sarah Vaughan’s novel of the same name, and adapted by Melissa James Gibson and David E. Kelley, we mostly follow Sophie Whitehouse (Sienna Miller), whose world is thrown upside down when her handsome and successful politician husband, James (Rupert Friend), comes clean about an affair he’s had with a young assistant at work. Sophie is just starting to process this when another bombshell drops: The woman he had the affair with, Olivia (Naomi Scott), has accused James of rape.
Of course James denies it, and his friend—who is also England’s Prime Minister—backs him up. They were old chums at Oxford, you see, part of a social club called the Libertines (naturally), and just when you think there might be some real twisted, psycho-sexual secret society murder stuff happening there… isn’t. They’re just posh pricks.
The case goes to court, with James represented by a sharp defender, Angela (Josette Simon), who we never learn a single thing about except that she has a broken Fitbit. Prosecuting the case is another extremely good attorney named Kate Woodcroft (Michelle Dockery), and we know she’s good because the show tells us that repeatedly in the first ten minutes of the first episode. But there is no time to spend with them on a deeper level when there are predictable twists to reveal! (There is also no time, apparently, for objections, which an American trial would have been filled with during these kangaroo court proceedings.)