Or, perhaps, another option for her to consider: Sue Gilbert (Ella Hunt), Emily’s best friend, confidant, once-lover, and new sister-in-law. If she’s not acclaimed by the world, at least Emily will be known by the one she loves most. But this season barricades Emily and Sue from considering their complex feelings for one another, forcing them to grapple with that all-familiar chasm between the mortifying ideal of being known versus the rewards of being loved. Then, there’s the equally difficult fact that they’re queer women in the 19th century—and Sue’s already struggling to come to terms with her role as a housewife to Emily’s brother, Austin (Adrian Blake Enscoe).
Paste: That finale clearly leaves you in a weird place with Austin, and an entirely different place with Emily. Do you think Sue’s feeling freed by confessing her feelings to Emily, or do you think those final scenes may come from a place of anger towards Austin?
Hunt: It is incredibly freeing for Sue to declare, both to herself and to Emily, that she’s in love with her. I don’t think that comes out of spite or hatred towards Austin. Austin is in an unfortunate situation of really being the middleman between two people who are intensely in love. It’s a beautiful season for Adrian’s character; he does such an incredible job playing the pain of realizing that you’re in a marriage with someone who doesn’t want the same thing, doesn’t even want to be with you. In the slow unraveling of it, his character is beautifully explored.
But for Sue, it’s incredibly freeing. Also, we know that there was no conversation around queerness—let alone acceptance of it—in the 19th century and before. Although it is freeing, it is constantly going to be something that we grapple with in the show, the difficulty of being in love with a woman in the 19th century. Being queer in the 19th century means a life spent in the closet, basically.
Paste: I kind of forget that with the show sometimes, just because it feels so down-to-earth with contemporary society. You can lose track of the time period.
Hunt: Yeah, and I’m so proud to get to work on a show—especially one that’s set in the 19th century—that’s focused on a queer romance at its heart. Because we know that this romance existed. We know that there were people, so many people in the world, who didn’t know how to identify themselves at that time. They knew, in their heart, that they weren’t heterosexuals. But I’m grateful for this show in that it shows me how far we’ve come, and the generations and generations before me who have done such hard work to get to the point where we are now where there is a beautiful, open conversation around the LGBTQ community and rights for the LGBTQ community.
And we’re still working. But I’m super proud to be a part of a show that doesn’t sugarcoat that, and really looks at it honestly. In that way, it’s been a tough season for the fans of Emisue. We know that we want them to be together. We know that they should end up in each other’s arms. But there are so many obstacles, both internal and external, for them to grapple with. Episode 10 is just a beautiful moment of relief for them, as a couple, to just get that moment of being purely in love.
Paste: If you had to give Sue some relationship advice to figure out her emotions in this love triangle, what would you tell her?
Hunt: To communicate—especially with the people that she loves. Because so much of Sue’s pain this season comes out of her trying to hide her feelings from the people she loves, and from the people that she doesn’t love, too. It just creates an atmosphere of dysfunction, and it also isolates her. I love the scene in Episode 9 with Mary Bowles, where she finally talks to someone who experienced the same thing, going through a miscarriage herself. I love that scene of solidarity between women. It’s a scene where we finally see her get to unravel and be honest about where she’s at, because she knows she’s with someone who truly understands the pain of where she’s at. Even Emily can’t see fully the pain of having a miscarriage, because she’s never experienced it.
Paste: I’ve read a lot about you enjoying that the show takes risks new risks did you particularly liked about this season of Dickinson, as a whole? And what risks do you foresee the show taking next?
Hunt: I find this season completely thrilling. It really does go pretty deep into exploring the dysfunctionality of all of our core characters. I love the storyline between Lavinia and Ship; Lavinia coming to terms with her womanhood and how she wants to be in her life. Lavinia’s storyline is one that we so rarely see on screen. It’s so exciting to see a horny woman on screen! I love it so much. It’s so empowering. I’m like, “Fuck yes! We are horny women!” That storyline is a real joy to me. It’s probably one of the most avant-garde of the season and the show as a whole. Anna Baryshnikov just fucking kills it. Honestly, on a more grounded note, what I was mentioning earlier about Adrian Blake Enscoe’s storyline, seeing such a vulnerable young man on screen coming to terms that he’s in a relationship that isn’t fulfilling to him. He wants children, and the person he’s with doesn’t. All of the pain and expectation for his character this season—I find that really beautiful.
As far as the next season goes, I’m just really excited to go deeper again with these characters. I fully trust that Alena Smith is going to provide that, because she’s just an extraordinary showrunner and writer. Every time I read a new script of Dickinson, I go, “Wait! She took it further. I didn’t know that was possible.” But here we are again: we’re in a barn watching an abolitionist underground journalist group having a crazy dance. Or we’re on a tabletop shoving cake into each other’s faces, we make out with the fire of a thousand suns. This show just keeps pushing, but it pushes in a way that feels too good. It’s a real privilege, as an actor, to be a part of a show that is fearless and does take those story arc risks.
Paste: What do you hope to see from Emily and Sue’s relationship in Season 3?
Hunt: I hope that they really, truly get to a place of togetherness. We’ve explored their yearning, but we haven’t explored what they’re like when they truly just get to be together. I wonder if we’ll ever get that, because as I was saying, they are a queer couple in the 19th century. That is always going to have to be something that we grapple with. But I’m excited to see dialogue between these two incredibly intelligent women, and to see them love and the work that comes out of that. I’m so excited about Season 3.
Paste: Is there anything else you’d like viewers to know, in regards to the finale, or the season as a whole?
Hunt: I feel like the argument scene in Episode 10, between Emily and Sue, it was a really extraordinary day of shooting. We had a whole day to shoot that five-minute-long scene. We’re just unpacking all of the pain that both of the characters have been working through across the season. It was an incredible thing to shoot—this season as a whole, but specifically Episode 10 and specifically that scene between Emily and Sue. Hailee’s acting is a real tour-de-force. She’s so extraordinary in that scene. Actually, shooting it with her, there were moments that I was truly terrified of her, of Emily. Emily has so much emotion that she’s just throwing at Sue, I truly wanted to take a step back and just watch her. She’s extraordinary in the scene. I’m so proud. I’ve said this before, but I really am so proud to get to play the Sue to Hailee’s Emily, and to get to watch her fucking storm the show every episode.
Fletcher Peters is a New York-based journalist whose writing has appeared in Decider
, Jezebel
, and Film School Rejects
, among other spots. You can follow her on Twitter @fietcherpeters gossiping about rom-coms, TV, and the latest celebrity drama.For all the latest TV news, reviews, lists and features, follow @Paste_TV.