Tim Goodyear’s Video Tonfa is a VHS Fever Dream

Writer/Artist: Tim Goodyear
Publisher: Floating World Comics
Release Date: May 10, 2016
It’s difficult to read through Tim Goodyear’s Video Tonfa and not compare it (favorably) to the frenzied title sequence of the 1995 psycho thriller, Se7en. The two feel as though they share the same inspiration, dark fonts mutually coaxed from the raw kineticism that defines the human subconscious.
It’s odd, then, to see Se7en, as well as director David Fincher’s other films, so conspicuously absent from Video Tonfa’s otherwise encyclopedic catalogue of films. An anthology collection of 300 illustrated movie reviews hand-drawn and self-published by Goodyear since 2009, Video Tonfa straddles the line between art book and memoir. It’s a fascinating and consistently hilarious account of the omnivorous maturation of one man’s film diet over the course of nearly seven years.
Video Tonfa, as a visual diary, abandons anything that might resemble pretense, plunging readers waist-deep into the assorted gems and detritus of bargain-bin discoveries and direct-to-video classics. “I don’t enjoy art criticism and I don’t want to be a movie critic,” Goodyear said in a 2013 interview with Gridlords’ Emily Nilsson. “I enjoy talking and thinking about movies, many movie descriptions are no help and often total bullshit advertising, my goal is honesty, though I do try to describe the movie accurately without ruining it.” This much is apparent when reading Goodyear’s earliest anecdotes describing Rodney Dangerfield’s The 4th Tenor as a “feel good chump re-awakening triumph of the heart,” and Robert Englund’s 976-Evil as “So tasty, so good.”