10 Classic Rock Albums You Should Own on Vinyl

SPONSORED
In partnership with our sister site, Wolfgang’s, Paste now has more than 45,000 new and used vinyl records available. But whether you’re shopping from us or from your local indie record store, we know it can be tough to decide what to buy for that new turntable. Limited budget and limited shelf space means taking care when selected new additions to your growing collection. Then again, there are some albums that have endured for decades without wearing out on our ears. Here are 10 classic rock albums that every music fan should own on vinyl.
10. Pink Floyd, The Wall (1979)
The legacy of Pink Floyd was not cemented with just The Dark Side of the Moon. The Wall is one of the greatest concept albums of all time. It tells the tale of Pink, a troubled young man raised by an overprotective mother, who is trying to break down the wall in his mind that has been constructed by the authoritative figures in his life. It’s a painful story that most can relate to or at least comprehend, not only because so many have suffered similar pains in life, but because it comes from the story of a real person. Lead singer, bassist and founding member of the band Roger Waters wrote the album based on experiences in his own life. The themes that present themselves throughout the album stitch the story together, making a cohesive 26-track album. The tour that followed the album’s release took it to new heights, turning it into a rock opera. The psychedelic music that Pink Floyd so heavily influenced is present throughout the entire album. Pink Floyd and The Wall not only changed a genre of music, but music itself.—Clint Alwahab | Buy now for $10
9. Neil Young, Everybody Knows This is Nowhere (1969)
After the commercial success of the singer/songwriterly Neil Young, the iconoclastic rocker tore down everything he’d built with the fractious Everybody Knows This Is Nowhere. Built on long jams, jarring guitars and a sense of looseness that bordered on sloppy, there were few records as thrilling as the churning build of the 9:27 “Down By The River” or the ebb and flow of the 10:06 “Cowgirl In The Sand.” Crazy Horse was kerosene to Young’s spark, and Danny Whitten (guitar), Ralph Molina (drums) and Billy Talbott (bass) created a churning foundation for the songwriter to work against. From the opening blasts of “Cinnamon Girl,” it was obvious Young wanted to blaze; even on the more expected “The Losing End (When You’re On),” there was a brio that spoke to this newfound raucousness.—Holly Gleason | Buy now for $20
8. The Who, Who’s Next (1971)
It’s kinda hard to believe Who’s Next, The Who’s rawest, most powerful and perfect album, came out in 1971. Barely out of the flowery 1960s (and fresh off their psychedelic—and cluttered—rock-opera, Tommy), guitarist-songwriter-vocalist Pete Townshend set to work on Lifehouse, a futuristic follow-up concept album so epic in its proposed scope, it made Tommy’s deaf-dumb-blind-pinball-playing narrative look meager by comparison. While Townshend’s outlandish ideas eventually got away from him, it worked out for the best: Who’s Next, a bastardized version of the original concept album, is hard rock’s definitive masterpiece, crammed top-to-bottom with classics like “Won’t Get Fooled Again,” “Behind Blue Eyes,” “Bargain,” “Baba O’Riley,” and, well, everything else.—Ryan Reed | Buy now for $22