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Paste Magazine: Your Guide to the Best Music, Movies & TV Shows
Signs of Life in Music, Film & Culture
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Theatre Features
Come from Away
National Tour Review
By Josh Jackson
June 26, 2019 | 4:00pm
How Wendy C. Goldberg and the Eugene O’Neill Theater Center Nurture the Next Generation of American Plays
By Graham Techler
May 11, 2017 | 8:25pm
Vineyard Theatre’s Miriam Weiner Talks New Play Development
By Graham Techler
May 10, 2017 | 5:40pm
Dianne Wiest Takes on Beckett in
Happy Days
By Stuart Miller
May 10, 2017 | 3:15pm
Danny Rubin Turns the Screenplay for
Groundhog Day
into a Musical Hit
By Gary M. Stern
May 10, 2017 | 12:30pm
The Film
Titicut Follies
Becomes a Ballet
By Christopher Kompanek
May 9, 2017 | 8:30am
Gabriel Ebert on
Gently Down the Stream
By Alicia Kort
May 1, 2017 | 8:30am
Lin-Manuel Miranda’s 7 Most Lin-Manuel Miranda Moments
By June Jennings
April 30, 2017 | 8:30am
Babes in Toyland
Comes to Carnegie Hall
By Carey Purcell
April 26, 2017 | 9:45pm
Anastasia
: 6 Differences Between the Movie and the Broadway Musical
By Holland Baker
April 26, 2017 | 12:30pm
Bette Midler’s 7 Best Musical Moments
By Alicia Kort
April 20, 2017 | 2:30pm
Broadway's Brightest Take on New Roles at Miscast Gala
By Christopher Kompanek
April 18, 2017 | 8:00am
Alice Ripley Helps Open The Green Room 42
By Christopher Kompanek
April 12, 2017 | 5:00pm
Deborah Cox Talks
The Bodyguard
, Being Inspired by Whitney Houston and Balancing R&B and Broadway
By Gerry Strauss
April 4, 2017 | 10:45am
“The Way the World Ends:” On 10 Years of
August: Osage County
and the State of the Family Play
By Graham Techler
April 2, 2017 | 4:45pm
Significant Other
Playwright Joshua Harmon on Succeeding on Broadway
By Gary M. Stern
April 1, 2017 | 11:30am
Steven Levenson on Writing
Dear Evan Hansen
and
If I Forget
By Sherry Amatenstein
March 24, 2017 | 9:00am
Come From Away
Creators on Developing Broadway's Newest Musical
By Ryan Leeds
March 19, 2017 | 11:00am
Playwright Honor Molloy on Penning
Crackskull Row
By Alicia Kort
March 18, 2017 | 7:00am
Gideon Glick on Playing Jordan in
Significant Other
By Carey Purcell
March 13, 2017 | 2:00pm
Matt Cox on
Puffs
Based on a Book-Series-Who-Shall-Not-Be-Named
By Tamar Herman
March 12, 2017 | 4:15pm
Revival Retrospective:
The Glass Menagerie
By Holland Baker
March 8, 2017 | 7:30am
Ethan Lipton on Creating
The Outer Space
By Alicia Kort
March 7, 2017 | 7:40am
Exploring What Keeps
Chicago
Running on Broadway After 20 Years
By Gary Stern
March 5, 2017 | 2:30pm
Catherine M. O'Neill On Her New Show
Sister Anonymous
By Britni de la Cretaz
March 2, 2017 | 7:00pm
Pretty Filthy
Lives On in a Cast Album
By Christopher Kompanek
March 1, 2017 | 5:55pm
The Players' Club's Immersive Tennessee Williams Show
By Christopher Kompanek
February 26, 2017 | 12:00pm
Karen Ziemba on Playing Eileen in
Kid Victory
By Carey Purcell
February 25, 2017 | 3:15pm
University of Michigan’s Priscilla Lindsay Gives Advice on College Auditions
By Graham Techler
February 20, 2017 | 9:30pm
The Ghostlight Project: How a New Wave of Theatre Activism Was Born
By Halley Bondy
February 16, 2017 | 6:30pm
Derrick Davis on Playing The Phantom of the Opera
By Nicole Schnitzler
February 15, 2017 | 6:30am
Paul Cameron Hardy on Writing
Mope
By Alicia Kort
February 9, 2017 | 7:01am
Do Yourself A Favor See Local Theatre While Traveling
By Brit McGinnis
February 6, 2017 | 9:00pm
The Oregon Trail
's Bekah Brunstetter On Her New Show
By Alicia Kort
February 4, 2017 | 8:00am
Bobby Conte Thornton Talks
A Bronx Tale
By Graham Techler
February 3, 2017 | 11:00am
Creating a Safe Space at BroadwayCon 2017
By Tamar Herman
January 31, 2017 | 10:00pm
Co-founder Melissa Anelli on BroadwayCon 2017
By Alicia Kort
January 27, 2017 | 7:13am
Shakesbeer: The Ultimate Shakespeare Pub Crawl
By Christopher Kompanek
January 23, 2017 | 9:30pm
Mariah MacCarthy On Her New Show
Baby Mama
By Carey Purcell
January 13, 2017 | 11:00am
Tina Satter Talks Half Straddle and
Ghost Rings
By Graham Techler
January 9, 2017 | 9:00pm
Dave Malloy on Creating Broadway's Hit Musical
Natasha, Pierre & The Great Comet of 1812
By Alicia Kort
January 6, 2017 | 3:25pm
Jay Armstrong Johnson Talks
Candide
, Broadway and
Quantico
By Alicia Kort
January 3, 2017 | 7:30pm
24-Hour Theatre
By Jennifer Billock
December 20, 2016 | 12:00pm
My Life as a Dinner Theatre Actor
By Christine Stoddard
December 20, 2016 | 6:30am
How
Oh, Hello
Turned Broadway On Its Comedic Head
By Amanda Wicks
December 20, 2016 | 6:30am
How to Say Goodbye: Lin-Manuel Miranda's
Hamilton
Farewell
By Michael Dunaway
July 14, 2016 | 11:43am