Bury Your Gays Cements Chuck Tingle’s Place as a Vital Voice in Horror

Chuck Tingle writes horror with an unassuming, natural warmth. That might sound contradictory, but Tingle, who’s cultivated a massive online following through both his writing and his persona, is a deft practitioner of one of the genre’s oldest tricks: Give us characters we care about, then put them in danger. It’s a simple tactic for horror writing, but Tingle’s great gift is to take it deeper, to immerse us not just in the lives of these characters, but in their hopes and dreams and the way they intersect with whatever horrific thing has suddenly emerged in their lives.
In other words, there is love in these pages, and that love makes the horror not just more powerful, but more real.
Bury Your Gays, Tingle’s latest horror novel following the success of Camp Damascus last year, begins in a place we tend to associate with deep cynicism: The Hollywood studio machine. But for all his time working in the story mines as a screenwriter, Misha Byrne is not yet fully gripped by that pessimism even in a world where artificial intelligence is taking over swaths of his industry and executives are constantly demanding changes. Misha is fresh off an Oscar nomination for a short film he made, he has a hit streaming series, and he’s got a boyfriend he loves. Plus, he’s a human writer in an increasingly artificial game, and he seems to have some degree of influence.
That is, at least, until an executive he thought was an ally gives him an unfortunate demand: Kill off the two gay leads on his streaming series right as their romance is coming into focus. It is, the executive assures Misha, the right thing for the show, the popular thing for the show, but Misha, who spent his childhood longing for the kind of romance he’s now writing, refuses to bury his gays, and hopes a potential Oscar win could add to his influence and pull enough that he won’t have to.