Ocean’s Echo Successfully Mixes Swoony Romance and High Stakes Space Adventure

Many science fiction stories rely heavily on their most genre-heavy aspects to stand out in a crowded literary field, be it the specifics of bizarre alien cultures, unexpected twists involving the bending of time and space, or the dangers of extended intergalactic travel. And, as a result, things like character development and relationships too often tend to get short shrift. Perhaps this is why Everina Maxwell’s “space opera”-style novels feel so satisfying to read because while they’re as meticulously developed as any traditional sci-fi classic, their world-building is firmly grounded in and developed around the characters at their centers.
From sweeping galactic treaties to the specifics of space travel, each aspect of these worlds and their cultures are funneled through the day-to-day experiences and low-stakes interactions of the stories’ characters, that all ultimately come together to build the pieces of a larger, fully lived-in world. Ocean’s Echo is, on paper, the story of two young men gifted with almost unimaginable mental abilities, but at its heart, it’s a story of two lost souls trying to find a purpose and a place to belong, that ultimately discover both those things in one another. Yes, there are space-based military operations and the threat of a sector-wide war over alien artifacts no one entirely understands. But those narrative threads always exist in service to the story’s characters, rather than the other way around.
Though the book is not a direct sequel to Maxwell’s (equally excellent) debut, Winter’s Orbit, it does exist in the same universe, which means that readers familiar with her previous work will recognize much of its larger political themes and structures at work here, from the ominous Resolution that seems to rule over multiple star systems to the mysterious objects known as Remnants, which carry some strange power within themselves. Unlike Winter’s Orbit, however, there is much less high-end politicking at work here. Where that novel was the story of two royals forced to marry in the name of politics, Ocean’s Echo is very firmly a military tale, as various factions within the army and the government battle for control of the Orshan sector.
Its story also deals with a very different familiar romance trope than its predecessor—fake dating instead of a marriage of convenience. Or, in this case, it’s really more like fake soul bonding, which takes things to an entirely different level, and that’s before the addition of the existential threat of intergalactic war is involved. As Maxwell proved with Winter’s Orbit, she has a deep understanding of what makes these longstanding tropes so appealing, showing us a pair of broken characters whose jagged edges somehow fit with one another’s, almost in spite of themselves. (Sometimes almost literally, given the whole mind powers thing.) And the deft way the story mixes tried and true romance tropes with familiar genre narrative favorites involving dangerous alien artifacts and pseudo-body horror is honestly ingenious, and makes Maxwell’s work feel like nothing else happening in this space right now.
Ocean’s Echo follows the story of Tennalhin Halkana, a neuromodified “reader” with the power to, you guessed it, read minds. Despite his relatively comfortable status as the nephew of the powerful “legislator” of their sector, Tennal ends up forcibly conscripted into the military when he uses his abilities illegally one too many times. (Readers have a complex and difficult history, and are supposedly responsible for at least one coup attempt and a sector rebellion, and are subsequently viewed with mistrust and suspicion by the general population.)