The Booky Man: Does public reading sometimes seem anachronistic?
Does public reading sometimes seem anachronistic?
We see crowds for writers like Billy Collins and Anne Lamott, among others of the most gifted among us. But these throngs have much to do with celebrity, it seems to me, and less to do with a love of hearing good work read aloud in an author’s voice. You don’t get standing-room only very often at the local writers open mic night.
I was freshly reminded this past week of the impact a good reader has on an audience and how a good reader can “sell,” or illuminate, the written work itself.
Justin Taylor, a Paste contributor and recent recipient of a glowing New York Times Book Review multi-paragraph paean, read here in Atlanta from his HarperCollins debut collection, Everything here is the best thing ever. Taylor appeared at the invitation of A Cappella Books. About two dozen people filled a comfortable room in Opal Gallery, one of Atlanta’s most compelling exhibition spaces.
Brooklyn-based, 27-year-old Taylor has bylines at this magazine, plus The Believer, The Nation, The New York Tyrant, the Brooklyn Rail, Flaunt, and NPR. He co-edits The Agriculture Reader and contributes to HTMLGIANT.