Brian Wood & Andrea Mutti Take to the Seas in Rebels: These Free and Independent States
Plus a Free Download of the Full First Issue of Rebels
Main Art by Matt Taylor
Brian Wood and Andrea Mutti are fast on their way toward honorary American History doctorates given their work on the Dark Horse revolutionary war series, Rebels, and its naval-warfare follow-up, Rebels: These Free and Independent States. Like in his beloved Vertigo Viking saga Northlanders, Wood pulls what is known about the era and introduces original characters to offer a new take on familiar sagas.
Rebels: These Free and Independent States introduces John Abbott, the son of Seth and Mercy from the first Rebels series. John is something of a shipbuilding savant—a skill that will prove vital as new battlefields open up during the War of 1812. With the second installment of the five-issue mini-series hitting stands this month, Paste chatted with Wood and Mutti about working within historical frameworks, how the modern-day political climate reflects the past and whether either of the creators have sea legs.
In the spirit of freedom, we’ve also included this link to download the entire first issue of the original Rebels series for free, to whet your appetite for further revolutionary adventures.
Rebels: These Free and Independent States #2 Cover Art by Matt Taylor
Paste: Brian, you’ve done a lot of historical work throughout your career—what interests you about revisiting the past and highlighting or crafting new narratives? How closely do you attempt to stick to what’s factually verifiable for a book like Rebels?
Brian Wood: I love history because it’s terrific storytelling. I never cease to be amazed at how relevant historical events are today because almost everything that can happen has happened at some point. I usually look at history for inspiration and ideas even when the project in question isn’t historical—I call it my secret weapon. I know some writers read the newspaper for story inspiration, or the obituaries, or whatever. I read history books.
My two historical projects are Northlanders, about Vikings, and Rebels, about the American Revolution. In terms of things being factually verifiable, those two eras couldn’t be more different. There is almost no written record of the Vikings—the sagas were written as fiction, hundreds of years after the fact, and not many artifacts survived. Comparatively, 1776 America has so much written history and is relatively easy for people to research. Writing about Vikings involves a decent amount of speculation, invention and guesswork. This freedom as a writer allows you to explore without getting dinged right and left for your historical errors. Rebels doesn’t afford me the same freedom.
This makes Rebels more of a challenge and it’s part of the reason I write fictional characters and around events that are less known, less overexposed in popular culture. It gives me some freedom as a writer, and it also gives the reader, hopefully, something that feels fresh.
Rebels: These Free and Independent States Interior Art by Andrea Mutti & Lauren Affe
Paste: It goes without saying that we’re currently living through a pretty intense period of American history. Have the events of the last year or two changed how you approach a story set during the early years of the country, with Americans resisting tyrants?