Michael Jai White on Living the Black Dynamite Life and His Follow-Up, The Outlaw Johnny Black
Photos via Jaigantic Studios
Michael Jai White is the rarest kind of artist—the kind who makes profoundly silly movies for the most discerning of palates. The star of 2009 cult classic blaxploitation satire Black Dynamite and director of its upcoming follow-up The Outlaw Johnny Black, White cuts an imposing figure, even as he celebrated his 50th birthday back in November. He’s had a lengthy career full of groundbreaking firsts—it’s far too easy to forget that this guy was the first black actor to ever portray a major comic book superhero in a major motion picture when he took the lead role in 1997’s Spawn. As an actor, he’s been overlooked by the Hollywood mainstream, while simultaneously building a massive fandom of genre movie fans with projects like Blood and Bone, Undisputed II or Mortal Kombat: Legacy.
And when we say “massive,” that’s no hyperbole. Michael Jai White’s online following is huge, spread across a network of highly engaged social media profiles. The guy has almost 5 million Facebook followers, comparable to most of the cast members of The Avengers. He has the same number of followers as the official page for Seinfeld, and a million more than Chris Pratt.
Think about that for a second. Michael Jai White, of Black Dynamite, has 25 percent more Facebook fans than the star of Guardians of the Galaxy, Jurassic World and The Lego Movie. That’s how popular the actor is among consumers of independent action films and bone-crunching martial arts movies—he’s nothing less than royalty in that world.
And now, the time has come for White to reach out directly to that fanbase in the making of The Outlaw Johnny Black. The director’s first crowdfunded feature just kicked off its IndieGoGo campaign, seeking an eye-popping $2 million for the film’s production. Described as a spiritual (if not direct) follow-up to Black Dynamite, it takes similar aim at black ’70s westerns such as Buck and The Preacher, with more than a little Sergio Leone thrown in for good measure. It’s the payoff to a long-awaited concept that White conceived more than a decade ago: A trilogy of interconnected ’70s film parodies, each of which would feature the same cast but tackle a different genre.
“This one will be paying loving homage to the blaxploitation-era westerns,” said White, speaking with Paste a day before the launch of the crowdfunding campaign. “We also had an idea to do a foray into the horror genre. It’s always been my plan to come back to the trilogy, but I’ve been playing a global chess game, doing films abroad and getting to a place where I can be solvent with my own brand. Now is that time; it’s the time to launch this grand experiment to mobilize the fanbase. I chose this movie to do that with because the word of mouth around Black Dynamite has been huge for me, especially overseas.”
The humor value of the concept at least partially revolves around its unexpected complexity. It’s easy to enjoy Black Dynamite at face value, but also easy to miss that the film is essentially an experiment at multiple levels of satire at once. The character of “Black Dynamite” isn’t one being played by Michael Jai White, Hollywood actor. Rather, it’s being played by “all-star running back Ferrante Jones,” a loving parody of football star-turned ’70s leading man Jim Brown. This is true of everyone in Black Dynamite: Female lead Salli Richardson is “Ebony Fashion Fair Model Tambula Qatar.” Supporting actor Kevin Chapman is “Ronnie Sinatra.” The performances are rendered with these multiple layers of characterization in mind, which goes a step deeper once the same “actors” are transplanted to The Outlaw Johnny Black. It’s an exceedingly meta, multi-film exercise in celebrating the hallmarks of ’70s cinema.
With Ronnie Sinatra!
“In the world of the film, the true stars of Black Dynamite would be the writers of the film who thought they were creating this character who was badder than Shaft and Super Fly and all of them,” explains White. “It’s really the transparency of their writing and tone that makes the whole thing work. So, you can imagine what would happen if those writers and that company had success with Black Dynamite; they choose to make another movie with the same cast and foray into the Western genre. It’s sort of like Monty Python, going from Holy Grail to Life of Brian.”
You can feel White’s passion for the culture of the ’70s in particular when he speaks, nostalgia for the decade of his childhood, which he calls “a more unfiltered time.” Like Black Dynamite, he describes The Outlaw Johnny Black as a film light on structure and heavy on crowd-pleasing moments, or in his own words, “a whole lot of ass-whuppin’.”
“Most of the classic westerns are good guys vs. bad guys with very clear, linear tones,” he said. “It’s somewhat an homage to the revenge western, where the gunslinger wants to hang up his guns, but he has to do right by the townsfolk first.”