CANT: Dreams Come True

I certainly had very high hopes for Dreams Come True, Chris Taylor’s first album under the CANT moniker. And who wouldn’t? As one of the principal sound-sculptors behind Grizzly Bear’s romantic art-pop, Taylor has consistently showcased a knack for wrangling out alien hooks and left-field beauty from ordinary tools—a dry, distant electric guitar here, a withered old piano there, a bouquet of choir-boy harmonies just about everywhere. Working with Twin Shadow’s George Lewis Jr. on production is a natural move (Taylor, as you may know, co-produced Forget, the wonderful Twin Shadow album from last year), and the inverse of that album seems like a novel concept: Taylor cross-breeding Grizzly’s rustic, flowery epics with Lewis Jr.’s chilly, rhythmic muscle.