Catching Up With Rhett Miller
Rhett Miller is most commonly known as the frontman for the veteran alt-country group Old 97’s, but over the past ten years he has also had a successful career as a solo artist. His first solo release Mythologies came in 1989, when he was only 19 years old, wore glasses and sported a Bowie-esque British accent. After achieving widespread success with Old 97’s in the ‘90s, Miller released his second solo album, The Instigator, in 2002. Since then, he’s recorded three additional solo albums, the last of which, The Dreamer, was released on June 5 by his own Maximum Sunshine Records.
We recently caught up with Miller to discuss his new album, The Dreamer, what it was like funding the album through an online PledgeMusic campaign and whether he’s discovered the fountain of youth.
Paste: What makes your new album “The Dreamer” as opposed to “The Believer” or “The Instigator”?
Rhett Miller: When I name this kind of stuff, it’s all after the fact, kind of trying to figure out what it all means. I’m typically following a phrase rather than making a phrase do my bidding. I looked at the stack of songs and thought the first half of the record is about looking for love and wondering if it exists and all that sort of agonizing that one does before one gets settled into a relationship. The latter third of the record deals with having found it and trying to figure out how to make it work. I’ve always been a romantic and I think that this record sort of reflects that.
Paste:The Dreamer is more of a downtrodden, twangy country album than some of your other solo work. You’re happily married now, but when you were writing the record were you thinking back to specific past relationships, or did these scenarios just materialize because that’s what you felt complimented the country vibe the best?
Miller: The sound of the record came after the songs were done. When I was writing it, I drew from different sources. The song “Out of Love” came out of having spent the day with a friend who was going through a divorce, and waking up the next morning with the song in my head. So that was about my empathizing with them, and I do that a lot. I do go back through and remember the agony of youthful fears. It’s all in there, though. I still agonize all the time about love, what does it mean and how does it work.
Paste: Throughout your career you’ve written a lot of songs that feature a single poignant or memorable line that people like to point to. For this record I think of “You weren’t like the rest, until you left” from “Lost Without You.” Do a lot of your songs start this way, by thinking of one striking line and then imagining the rest of the song around it?
Miller: Yeah, usually it’s a phrase that starts everything and I just follow it. I’ve noticed that as I’ve gotten older and deeper into my catalog, I tend to write songs that are a little less specific, giving detail after detail after detail, and more that use aphorisms or broader observations. But I do still love that one little phrase or one little detail that makes it go from being a regular song to being a specific moment in somebody’s life. I love that. I love little moments. One of my favorite songs on the new record is “Sleepwalking.” It has a lot of little things like that: “She had a prominent nose, she took off all her clothes.” They’re like silly little kids’ rhymes, but from a grown up’s perspective.