The Good Place Meets 30 Rock in Simon Rich’s Heavenly Miracle Workers
Photo: Curtis Baker/TBS
The best way to make a TV show about religion, especially a comedy about religion, is to dive into it so thoroughly and so ridiculously that the episodes are filled with both jokes and unique, world-building gospel.
Miracle Workers, somewhere between The Good Place’s offbeat, pseudo-religious charm and American Gods’ mythology of gods so human they’re in fact more deeply flawed, needy, and ridiculous than their worshippers, is a comedy that treats the celestial forces of the universe as a dysfunctional corporation. Series creator Simon Rich (the guy behind the eccentric, subversive rom-com Man Seeking Woman), who based Miracle Workers on his novel What in God’s Name, has found a cast that amplifies his adaptation’s assets while telling the story of a radical shift in how the powers of Heaven and Earth interact. And it’s funny. Really.
Led by Eliza (Geraldine Viswanathan), an office drone for Heaven, Inc., and Craig (Daniel Radcliffe), the sole employee of the Department of Answered Prayers, this revolution comes knocking at the door of a God (Steve Buscemi) who’s about as responsible in his treatment of Earth as most media executives are with their publications. Let the world burn, he figures. I want to have fun, for once.
Heaven, Inc. is a bummer, a throwback dystopia filled with employees trying to spice up their work days with fun outfits, if nothing else. After making a bet with the Almighty, two of them, Eliza and Craig, have to save the planet from God’s petulant self-destruction by helping two humans fall in love. The humans in question are the series’ least funny element, but the trials and errors of an ever-growing team of angelic clock-punchers makes it all worthwhile.
If last year’s delightful, sweet, and smart comedy Blockers didn’t serve as Viswanathan’s launching pad, Miracle Workers should: While the excellent and manic Radcliffe already proved his oddball comic chops with Swiss Army Man (and the best scene in Harry Potter and the Half-Blood Prince, in which he gets high on magical luck), Viswanathan’s gung-ho do-gooder is proof that she can play big just as well as she can nuanced. The co-worker odd couple show off what great comedy can come from a difference in confidence and competency, with Craig’s desperate line deliveries almost as good as Eliza’s side-eye.