Julie Klausner: The Perks of Being “Difficult”
Photo above by Mike Coppola / Getty Images
Women get called all sorts of things for being ambitious: we become leaders and get called “bossy;” we speak up in meetings and get called “aggressive;” we take a stand against oppression and get called “difficult.” But multi-hyphenate talent Julie Klausner is doing her part to take that last title and turn it on its head—partially by doing all the things above, and partially by taking over the comedy world, one medium at a time.
After cutting her teeth in New York City’s improv scene, the actress-podcaster-writer-producer-comedian worked a slew of gigs writing and producing on shows including Best Week Ever, The Big Gay Sketch Show and Billy on the Street. In 2008, she landed an essay in the New York Times’ coveted Modern Love column, expounding on such relatable themes as love, loss and the futility of dating struggling musicians. Her first book deal, for an autobiographical memoir dubbed I Don’t Care About Your Band, which highlights similar themes, soon followed.
After that, Klausner’s star steadily continued to rise—in spring 2011, prompted by a tweeted suggestion from comedian Patton Oswalt that she start her own podcast, she launched How Was Your Week?, an acclaimed podcast that has Klausner doing everything from waxing philosophical about The Real Housewives franchise and Broadway theatre to interviewing comedic luminaries and Twitter celebs alike. Guests have included Ira Glass, the late Joan Rivers, Rob Delaney, Sarah Silverman and Tig Notaro. While spearheading that project, she was also contributing to publications and sites like SPIN magazine and Vulture.com, and even found time to pen a YA novel titled Art Girls Are Easy, released in 2013.
But, arguably, it’s the Hulu series Difficult People that really took Klausner’s career to the next level—a level she’s been aiming for from the start. The second season of the show, which co-stars Klausner with her real-life BFF Billy Eichner, premieres on the streaming platform on July 12. Having her own show “has always been a dream of mine, no question,” she tells me over the phone. “I always wanted to write and perform for myself, that was my goal starting out.”
But with juggling a podcast, steady print and television writing gigs, plus a series of live comedy, cabaret and variety shows in the works at any given time, one could wonder how the idea for her biggest professional endeavor yet could even enter Klausner’s headspace. “It was around Christmas break last year or the year before, and I knew The New York Times was going to do a piece about my podcast,” she explains. “I thought, what if this piece gets me attention and eventually results in the opportunity to pitch my dream show? What would my dream show be?” With that motivation, she sat down and wrote the pilot script for exactly that. “I knew I wanted it to have a Curb Your Enthusiasm sort of feeling to it and come from my real life,” she says. “The lesson, if there is one, is just to write truthfully without worrying about who you’re going to sell it to—I didn’t worry about whether or not it was marketable or what network would buy it. I just said, what would the show be that I’d want to make more than anything?”