With Never Flinch, Stephen King Offers an Overstuffed Thriller That Still Delivers

Never Flinch, Stephen King’s latest novel to feature private detective Holly Gibney, is one he describes in the afterword as a challenge to write, a process full of rewrites and setbacks in an effort to bring the book home. After reading the book, it’s safe to say that those challenges are at least still somewhat evident in its 400-plus page length, though not at the expense of our entertainment.
King’s fascination with Holly, a character first introduced in his Mr. Mercedes trilogy of thrillers, is still clear, just as it was when he gave the character her own novel, simply titled Holly, two years ago, and his eagerness to keep diving into her life and her mysteries is still very potent. But with a wider cast of characters, a pair of villains, and perhaps one too many story threads, it’s clear that Never Flinch isn’t King at his best. But even when he struggles with a book, King is still King, and what the book lacks in cohesion, it makes up for in sheer suspenseful force.
This time around, King divides up the protagonist role between Holly, still running the detective agency Finders Keepers, and Isabelle “Izzy” Jaynes, a detective at the Buckeye City Police Department who’s become one of Holly’s close friends. As the book picks up, Izzy catches what seems to be a rather distinctive serial killer case, as a suspect—revealed in chapters of his own—starts to pick off victims one by one in retribution for a grave wrong done to someone he knew. Fascinated and frustrated by the case in equal measure, Izzy turns to Holly to help unravel the mystery as the bodies start to pile up, but Holly’s got a case of her own. Thanks to her reputation as a dogged investigator, she’s landed a gig as a bodyguard for Kate McKay, a feminist author on a speaking tour who’s been plagued by a religious fanatic stalker, who has lethal intentions of their own.
King’s never been shy about including social issues in his work, and the Holly Gibney stories have given him a particularly good excuse to explore the darkness in current events, whether it’s COVID-19 in Holly or, in Never Flinch, abortion rights and alt-right extremism. It’s clear what’s captivated that side of his imagination this time around, and the issue is not the preoccupation but the sheer vastness of his attempted scope. A story about a violent anti-abortion activist feels meaty enough for one novel, as does a story about a vigilante setting out to avenge a miscarriage of justice. Here, King tries for both, and while he makes it work, you can see the strain in it, even for his veteran storytelling mind.