Catching Up With Keri Russell of Dawn of the Planet of the Apes
It’s the day after the world premiere of the Dawn of the Planet of the Apes in San Francisco. Keri Russell is on day two of doing press for the movie. She spent the day doing on-camera interviews with her co-stars, Jason Clarke and Gary Oldman with the iconic Golden Gate Bridge in the background—which is practically annihilated on the DOTPOTA movie poster. She’s been on the phone with press for God knows how long, but the by the time it’s my turn to talk with her, she still looks and acts as though her day just started.
“An in-person interview? I thought it was another phone interview!” Russell says excitedly as I sit down across from her.
As I get settled in, I tell her that I just read that it was just recently J.J. Abrams’s birthday and how it is appropriate that I was interviewing her.
“It was?!” she exclaims apologetically. “I should have known that! Matt and I have to call him.”
Russell is referring to DOTPOTA director Matt Reeves, of course. And the connective tissue between the two of them and Abrams is Felicity, the WB college drama that had the world divided into Team Noel or Team Ben. Abrams and Reeves created the show and Russell was the muse that brought the show to life – and won her a Golden Globe.
“You know, Felicity was the first real story that I fell in love with—and where I got to act,” Russell says. “I wanted to be her. It was just such a good story. It was funny, but sad and sweet—the combination of J. J. and Matt was just so good.”
It’s been over 15 years since Russell has played the endearing touchstone of college growing pains, but to this day, the three of them maintain a strong friendship that reflects in their moviemaking relationship. She had a small, yet strong presence in Abrams’ Mission Impossible III, and now, she and Reeves have teamed up for the second installment of the Apes franchise reboot.
Before she signed on to the movie, Russell admits that she knew as much about the Apes franchise as much as the average pop culture denizen. She knew all the iconic images, and of Charlton Heston, of course. As for the actual films, she wasn’t too familiar. Reeves, on the other hand, is a huge fan. Through that, she developed an appreciation for the series—but she wasn’t quite at the level of fandom as Reeves.
“He would talk about sending away for these (Planet of the Apes) make-up kits—he did it all,” laughs Russell. “He was so obsessed with it and would do the makeup on himself because he wanted to be an ape.”
Reeves’s fandom and ability to tell a story are the perfect combination to pick up where Rise of the Planet of the Apes left off. San Francisco is in ruins, and a colony of hyper-evolving apes led by Caesar (Andy Serkis) is living separately from the humans who are barely surviving. When the humans have to access a dam in apes territory in order to get power for survival, the relationship between the two groups start to become volatile.
Russell says that when Reeves first talked to her about making the movie, they watched Rise, and both were impressed with Andy Serkis’s performance as Caesar. Russell, in particular, was so impressed that acting opposite Serkis and other actors portraying apes in motion capture suit wasn’t a problem.