Bruce Springsteen: Working on a Dream

Dream Comes True
By Steve LaBate
Bruce Springsteen’s latest is a grab bag of everything we’ve come to love about The Boss—anthemic rock, exhausted Americana, raunchy blues shuffles, orchestral ballads, testifying gospel rave-ups and gripping lyrical narratives about working-class America. Springsteen isn’t concerned with shedding old skin like a Wilco or a Radiohead; he’d rather explore familiar terrain with a fine-toothed comb, carefully excavating every nook and cranny of the universe he’s created. The title Working on a Dream speaks to the four decades he’s spent fine-tuning this world—essentially his life’s work—and to the characters in many of his songs, for whom overnight success is as foreign as the country to which their factory jobs were outsourced; unsung heroes who toil painstakingly toward small rewards, realizing hard luck is better than no luck at all. The album comes to fruition on final track “The Wrestler,” the tale of a grizzled survivor who’s continually beat down by life but—like Tim Robbins’ Andy Dufresne in The Shawshank Redemption—gets up each time to chip away at the wall between him and his dreams.