Kal Marks: Universal Care

Three full-length albums in, Kal Marks see life as an adventure. It’s an admirable view, particularly for a band that called their first record Life Is Murder. The Boston trio’s latest, Universal Care, is thick and textured, depicting dense, ornate scenes of anger, boredom, frustration. Its 12 searing tracks drip and ooze together, eventually becoming one large, enveloping pool of primordial goop. Loud and abrasive as ever, frontman Carl Shane screams at the top of his lungs, releasing each and every unhealthy emotion that’s been flooding him. On Universal Care, there is freedom in rage.
This underlying sense of abandon shapes Universal Care’s hopefulness. Upon first listen, you might think there’s little light to be found within Kal Marks’ darkness. In reality, Kal Marks have mastered the art of injecting humor and perspective into an endlessly fucked-up world. After their 2013 debut came 2016’s Life Is Alright, Everybody Dies, which itself followed an EP called Just a Lonely Fart. Karl Marks address serious topics — on Universal Care, they include death and global warming —but have never taken themselves too seriously. It’s what makes even the darkest, sludgiest song feel like a breath of fresh air.