Ranking Aloha’s 7 Albums

Music critics love to throw around the term “criminally underrated” to describe personal favorite bands, but in the case of Aloha, that’s the only way to put it. After six quiet years, the foursome, returns today with its seventh LP, Little Windows Cut Right Through.
Aloha’s founding members—Tony Cavallario on vocals and guitar, Matt Gengler on bass and Cale Parks on drums (multi-instrumentalist T.J Lipple joined later)—arrived on the periphery of the late-‘90s emo movement centered in the Midwest. Although seemingly primed for a mainstream crossover, the band never quite found it. While Aloha recorded for one of that scene’s flagship labels, Polyvinyl—and still do—the group was always after something different. Songs take cues from ‘70s progressive rock and contemporary Chicago post-rock (Tortoise, The Sea and Cake, Gastr del Sol), while also occasionally throwing a vibraphone into a traditional guitar-bass-drums configuration. Additionally, the band distinguishes itself with a keen sense for melodic hooks delivered emphatically by Cavallario.
For those who haven’t followed Aloha’s nearly two-decade journey, Little Windows is a pop-rock triumph that probably seems out of left field. But over the course of its career, the group has evolved from precocious post-rockers with an aptitude for melody and a flair for experimentation, to the masters of their craft they are today. Below, we rank Aloha’s seven albums (and lone EP) in order of ascending greatness.
8. The Great Communicators, The Interpreters, The Nonbelievers
Like most demos and EPs made in bands’ gestation periods, the improv-heavy Great Communicators is the sound of a young group finding its footing. Even with the execution still taking shape, the ideas—fully realized on 2000’s That’s Your Fire_—are definitely there.
7. Light Works
A stripped-down outing with only seven songs, Light Works, owes more to atmospheric ‘80s U.K. rockers Talk Talk than any of the ‘90s Chicago guys. Cavallario’s dulcet lilt is the definite focal point on this short album, but the emphasis on negative space (even as acoustic and electric guitars mix), makes it worth hearing. Still, it’s best enjoyed and understood in the context of Aloha’s catalog as a whole.
6. Home Acres
Home Acres, the band’s sixth LP, can be hit-or-miss (not unlike like 2006’s Some Echoes). However, the exhilarating “Moonless March” is one of Aloha’s finest tunes, with its gale-force intensity not heard since Here Comes in 2004. In particular, this song is a great gateway for new converts.