SASAMI Announces New Album Squeeze, Shares First Two Tracks
"The Greatest" and "Skin a Rat" exemplify the multitudes contained by Sasami Ashworth's second record
Photo by Andrew Thomas Huang
Singer/songwriter and producer Sasami Ashworth, aka SASAMI, has announced the follow-up to her self-titled 2019 album: Squeeze is out Feb. 25, 2022, on Domino, the videos for its first two tracks, “The Greatest” and “Skin a Rat,” are out now, and all indications are Ashworth has expanded her sound considerably on her second record. Ty Segall co-produced multiple tracks, while additional collaborators include Hand Habits’ Meg Duffy, King Tuff’s Kyle Thomas, Vagabon’s Laetitia Tamko, Christian Lee Hutson, Barishi, Moaning’s Pascal Stevenson, Jay Bellerose and No Home.
Press materials cite “anti-toxic positivity” as the core sentiment of Squeeze, which was “partially inspired by the Japanese yokai folk spirit called Nure-onna (translation: wet woman), a vampiric deity that has the head of a woman and the body of a snake”—a reclamatory Ashworth appears as Nure-onna on the album cover. Just as the mythic deity is said to be capable of both dignified femininity and powerful brutality, Squeeze blends the airy indie sound of Ashworth’s first album with heavy rock, a contrast concisely represented by “The Greatest” and “Skin a Rat,” respectively.
Ashworth says of “The Greatest” in a statement, “This song is about how often the greatest, heaviest feelings we have for someone are in the absence of the realization or reciprocation of that love. Like power born out of a black hole. All fantasy.” She describes “Skin a Rat” as “a soundtrack to cathartic release of anger and frustration with oppressive systems and humans. Very nu-metal influenced,” adding, “Wrote and demoed the whole song on my iPad with midi drums and hired an epic drummer to perform it live to tape.”
Megadeth’s Dirk Verbeuren drums on “Skin a Rat,” with Tamko and actor/comedian Patti Harrison contributing vocals, while Duffy plays guitar on “The Greatest.” Ashworth produced both tracks, recording at Segall’s Topanga, California, studio and Log Mansion in Mt. Washington.
Also included on Squeeze is Ashworth’s thrasher of a cover of Daniel Johnston’s “Sorry Entertainer,” which she released over the summer.
SASAMI is currently on tour, supporting Japanese Breakfast in North America this fall, then Mitski in the E.U. and U.K. in spring 2022.
Watch the “The Greatest” video (dir. Jennifer Juniper Stratford) and “Skin a Rat” visualizer (dir. Andrew Thomas Huang) below, and keep scrolling for SASAMI’s “Sorry Entertainer” cover, 2018 Paste Studio session, new album details and tour dates.