American Horror Story: Coven: “The Sacred Taking” (Episode 3.08)

Whenever I watch an episode of Game of Thrones, I always have two completely conflicting ideas about the show. I always end up thinking everything happens and absolutely nothing happens. With American Horror Story: Coven, I feel the same way, except while Game of Thrones succeeds in this, Coven is failing. A show like Game of Thrones first creates a world with rules, boundaries and limitations while also having a clear purpose in its stories. Before their was brother-on-sister loving and demon babies, there were guidelines set up to this that made all this wackiness make sense.
Coven has yet to really do any of this, which both prior seasons did incredibly well. Eight hours in, we don’t have a strong grasp of what the laws of this witching society has, and there hasn’t really been any sort of end goal that the show was going for. There’s the vaguest traces of forward momentum, but besides insane things happening every week, the rules to everything could easily change from week to week. Really nothing in Coven is set in stone. It’s almost like a dramatic horror series utilizing the structure of a sketch comedy show. Next time you tune in, everything you know could be completely different.
It also feels like Coven is really stretching what story it does have. In “The Sacred Taking,” everyone finally agrees what the audience has known for weeks: that they have to take out Fiona. For what is called the “sacred taking,” Fiona must kill herself for the sake of the coven. The resurrected Myrtle announces that surely Misty is the next sacred, which makes total sense now that someone says it. I mean, it’s cool that Madison can flip entire buses full of frat boys or that Zoe’s main power is that she can kill men with her vagina, but really, Misty resurrected herself. I think she clearly wins.