Home Before Dark’s Hilde Lisko Is the Female Journalist We Need to See on TV—Even If She Is a Kid
TV and film have long done female journalists dirty. It took a show about a nine-year-old girl to get it right.
Photo Courtesy of Apple TV+
Outliers like Mary Tyler Moore, Murphy Brown and Broadcast News’ Jane Craig aside, television and film have routinely been unkind in their portrayals of female journalists. From Thank You For Smoking to Trainwreck to House of Cards, the mediums teach their audiences that we sleep with our sources, routinely lie and cheat to get stories, and may also be stupid enough to meet nefarious politicians near dark subway platforms after deleting all incriminating evidence against them.
Things hit a #MeToo-appropriate fever pitch last winter with the release of writer Billy Ray and director Clint Eastwood’s Richard Jewell, a biopic about the wronged 1996 Olympics security guard that, ironically, alleged the late Atlanta Journal Constitution reporter Kathy Scruggs might be someone who would use at least one of these tactics to score a front-page story. Boycotts of the film were demanded, and the AJC called the depiction, played by Olivia Wilde, “false and malicious.”
So it’s possible that Hilde Lisko, star Brooklynn Prince’s resolute lead in the new Apple TV+ series, Home Before Dark, might be just the kind of female journalist hero that we need right now. Inspired by award-winning crime reporter Hilde Lysiak, the character has an almost supernatural memory for detail, knows how to build up a rapport with local law enforcement (and decipher which ones she can trust), and isn’t afraid to stand up to established community leaders who may be hiding the truth.
She’s also nine.
Set amid a damp and murky small-town logging community that seems specially made to delight the likes of Special Agent Dale Cooper, Home Before Dark follows the Lisko family as they move to dad Matt’s (Jim Sturgess) childhood home from Brooklyn after he loses his newspaper job. They’ve barely unpacked before middle child Hilde—who caught the journalism bug early when her father took her to crime scenes in lieu of hiring a babysitter, and helped her start her own community newspaper—stumbles upon a woman who not only knows her dad, but has something for him.
This sets off a chain of events that has Hilde on the case of a potential massive cover-up of a child abduction in the 1980s that envelopes everyone from the sheriff and mayor to Hilde’s grandfather, dad, and school principal. Some of these people try to silence Hilde with threats and menacing glares; even her own older sister, Izzy (a sometimes-delightfully uncomfortable-in-her-own-skin Kylie Rogers) can’t seem to decide if she wants Hilde to stop with this nonsense because it’s bringing down her own chances at popularity, or if she should join her in the fight. But Hilde, whose sense of justice and knowledge of the First Amendment could make her a visiting professor at any journalism school in this country, will not be deterred.