It Still Stings: The Mistreatment of Women on Joss Whedon’s Angel
Photo Courtesy of 20th Television
Editor’s Note: TV moves on, but we haven’t. In our feature series It Still Stings, we relive emotional TV moments that we just can’t get over. You know the ones, where months, years, or even decades later, it still provokes a reaction? We’re here for you. We rant because we love. Or, once loved. And obviously, when discussing finales in particular, there will be spoilers:
A Buffy the Vampire Slayer spin-off about Buffy Summers’ (first!) vampire boyfriend fighting crime in the Gotham-like streets of Los Angeles was an odd choice, of all the characters creator Joss Whedon could’ve used to grow the Buffyverse. After all, he jumped from a show about a 16-year-old blonde girl as the savior of the universe to a show about a 250-year-old brooding vampire playing detective. But in that dichotomy, Angel seemed like a masterclass in feminism upon its inception.
Whedon never shied away from calling himself a ‘feminist.’ He preached ad nauseam about women’s superiority over men. However, considering what’s come out about Whedon from not only his ex-wife but from Charisma Carpenter (who played Cordelia Chase) and several other female actresses who have worked with him, it’s safe to say that, sometimes, those who seem the most trustworthy are actually the ones to watch out for. Especially when the performative nature of Whedon’s feminist promises crumbled on screen throughout Angel’s run.
It’s a particularly slippery slope because the women of Angel, at times, seemed even stronger and more self-sufficient than the women of Buffy the Vampire Slayer, making the spin-off feel even more feminist and empowering than its fountainhead. That’s not to say the women of Buffy were less powerful simply because they weren’t as physically strong or magically inclined, but it was a different vibe. Since Angel was initially positioned to be a show dominated by men, given its titular character, it was a welcome surprise when Angel’s roster was filled with heavy-hitters like Fred Burkle (Amy Acker), Lilah Morgan (Stephanie Romanov), fan-favorite Cordelia (Carpenter), even Harmony Kendall (Cordy’s ex-BFF-turned-evil-vampire-turned-not-so-evil-secretary, played by Mercedes McNab), and even Angel’s sire Darla (Julie Benz), of all people.
The women of Angel felt fully fleshed out and could exist on their own without men to keep them alive. Not many other shows of the era could boast such a diverse cast of female characters who weren’t just love interests or sisters. It was fascinating to watch objectively evil women like Lilah and Darla be multi-faceted and become likable, and, at times, even sympathetic without feeling the need to turn over to the “good” side and apologize for their crimes. Women were allowed to live within the gray areas and make their own decisions on Angel without letting men boss them around.
So why, by the last episode of Angel, were nearly all of the women dead?
Darla, Angel’s (David Boreanaz) long-term on-and-off-again girlfriend (not to mention the person who turned him into a vampire) was a surprising breakout. She was introduced in the first few episodes of Buffy as the first Big Bad’s lackey before being dusted; likely no one thought of her after that, so it was a great surprise when she was brought back as a driving narrative force in Season 2 of Angel. Darla was beautiful, she was tortured, and she maintained an impressive level of self-preservation. She was complex, less flat than she was on Buffy because all of a sudden she was given the opportunity to be human again, something a vampire could never imagine in their wildest dreams.