From the biggest streaming services to the most reliable broadcast networks, there are so many shows vying for your time and attention every single week. Lucky for you, the Paste Editors and TV writers sort through the deluge of Peak TV “content” to make sure you’re watching the best the small screen has to offer. Between under-the-radar gems and the biggest, buzziest hits, we keep our finger on TV’s racing pulse so you don’t have to.
The rules for the Power Rankings are simple: any current series on TV qualifies, whether it’s a comedy, drama, news program, animated series, variety show, or sports event. It can be on a network, basic cable, premium channel, Netflix, Amazon, Hulu, YouTube, or whatever you can stream on your smart TV, as long as a new episode was made available within the past week (ending Sunday)—or, in the case of shows released all at once, it has to have been released within the previous four weeks.
Below is what we’re enjoying right now. Happy viewing!
Best TV Shows for the week of June 8th:
Honorable Mentions:Sticks (Apple TV+), Department Q (Netflix), And Just Like That… (HBO/Max), Death & Robots (Netflix), Big Mouth (Netflix)
5. Adults
Network: FX/Hulu Last Week: Unlisted This Week: Ill-fated matchmaking and some unfortunate job interviews defined another day in the life of these Gen Z disasters.
We have finally reached the point in time where it’s up for Gen Z to have a comedy about a 20-something friend group that defines their generation. Until now Zillennials had to deal with Gen X’s reheated nachos of Friends reruns in endless syndication. If not that, they became fixated on Lena Dunham’s millennial-focused Girls, which some audiences oddly over-glorified to the point where they failed to see its satirical elements. Ben Kronengold and Rebecca Shaw’s FX comedy series, Adults, which follows a group of early 20-something friends living under one roof in Queens, cheekily references both shows on separate occasions. Through its subtle nods, Adults makes it clear that it wants to stray away from self-serious satire or sitcom-like elements.
In the end, Adults is a refined Sunny clone tailored for the Zillennial generation, perfectly capturing the emotions and experiences of twenty-somethings just starting out in the world. While it’s still looking for its voice, it shows strong potential. When it matures and develops its characters past their absurdities, I’ll be looking forward to listening to what it has to say. —Randy Jones [Full Review]
Network: Netflix Last Week: Ineligible This Week: Resident Alien is back, showcasing more charming shenanigans as Tudyk turns in another excellent performance.
Resident Alien not getting the audience it deserved on SYFY for its first two seasons was—to quote displaced alien Harry Vanderspiegel (Alan Tudyk)—some serious bullshit! Gratefully, in early 2024, Netflix streamed the exceptionally funny series and immediately broadened its audience and made it a ratings hit. For the uninitiated, this nutty yet poignant dramedy revolves around an alien who was on a mission to destroy Earth. Instead, it crash landed its spaceship in the Colorado mountains and hid its presence by replicating the guise and identity of rural physician, Dr. Vanderspiegel. In the subsequent three seasons, alien Harry has had to learn how to be human(ish) as the town doctor and has mostly assimilated into this town of misfits through the tutelage of Asta Twelvetrees (Sara Tomko), the clinic’s physician assistant.
Resident Alien remains one of TV’s funniest and heartfelt shows. It feels like Sheridan is moving towards a more definitive wrap up for this world and its characters based on the real-world limits of cable-based television these days. If that happens, Sheridan and his writers have earned my trust in them bringing it in for a landing in ways that I’ll howl with laughter and sob like a baby. Not many shows can do that in equal measure and if this is the last season for Resident Alien, everything in the set up of Season 4 points to it going down as one of those all-timer sleeper shows that found the audience flowers that it deserves. —-Tera Bennett [Full Review]
Network: BritBox Last Week: Honorable Mention This Week: Death Valley is a cozy detective show that doesn’t do anything revolutionary, but nails its beats all the same.
One of the most entertaining trends in the world of British procedurals in recent years is the idea that you don’t have to be Sherlock Holmes to solve crimes. And though the six-part drama Death Valley is merely the latest addition to the seemingly never-ending (and steadily growing) list of these mysteries, its unique central hook makes its familiar beats feel fresh.
The story follows DS Janie Mallowan (Gwyneth Keyworth), a perky, go-getter of an officer who, in the course of investigating the suicide of a local property developer, discovers that her favorite actor happens to live next door to the victim. John Chapel (Timothy Spall) made his name in a long-running police procedural where he played the eponymous detective known as Caesar, a mustache-adorned crime-solving savant who bears no small resemblance to Agatha Christie’s Hercule Poirot. Now, however, Chapel is a recluse with a ragged beard and generally unkempt demeanor who actively dislikes all his neighbors. But as Mallowan is quick to discover—after some extended and enthusiastic fangirling over getting to meet her hero—Chapel didn’t leave his sleuthing abilities behind when the show ended, and is quick to provide some theories about what really happened—namely that his neighbor’s death was actually a murder.
At the end of the day, Death Valley is exactly the show you think it is. Its offbeat central pairing and peak cozy vibes make for excellent and enjoyable escapism, if not particularly inventive or challenging mysteries. But it’s all entertaining enough that you won’t mind much. —Lacy Baugher Milas [Full Review]
2. Murderbot
Network: Apple TV+ Last Week: 5 This Week: As the SecUnits continue to go rogue, Murderbot passed inspection in another satisfying episode.
Entertainment has long been used as an escape mechanism from the world around us. But who do we turn to when literally everything is grim and terrible, and there is seemingly no relief in sight? Maybe a central protagonist who’s just really, really over it is precisely what we need in the year of our lord 2025. Enter Murderbot, the Apple TV+ sci-fi comedy about a sentient robot turned extremely reluctant hero who keeps doing the right thing, even when it doesn’t particularly want to (and actively dislikes the very people it’s helping).
With each episode clocking in at around 25 minutes or so (you truly love to see it!), the ten-episode first season (all of which were made available for review) is brisk and propulsive, carefully balancing droll humor, action, and a sprinkling of thoughtful emotion. Some viewers who are unfamiliar with the source material will likely find the contradiction between the show’s title and its content jarring. But, much like its central character, Murderbot doesn’t care, gleefully embracing all the weirdness and contradictions inherent within itself and reveling in them. Maybe this isn’t the hero we were expecting, but at the moment, it’s probably the one we need. —Lacy Baugher Milas [Full Review]
1. Poker Face
Network: Peacock Last Week: 1 This Week: Charlie crossed paths with a retail shop theft gone wrong in a heist flick homage that weaved in some brutal turns (our heroine can truly not catch a break).
Poker Face arrived in early 2023 as a smart, modern riff on Columbo starring Natasha Lyonne as an effortlessly cool, almost-psychic, entirely unintentional detective, with a stage-setting pilot written and directed by Knives Out creator Rian Johnson. With its twisty mysteries, world-class roster of guest stars, and compelling season-long arc about Lyonne’s character Charlie Cale hiding out from Ron Perlman’s vengeance-seeking casino owner, Poker Face was a buzzy favorite back in ‘23, with an Emmy nomination for Lyonne and a win for guest star Judith Light.Two years is a lot of time, though. Since Poker Face’s first season the broadcast networks have hopped back on the Columbo train, with CBS’s Elsbeth fully embracing the same guest star-heavy “howcatchem” format Poker Face is known for (where viewers see who committed the crime in the opening act).
Poker Face’s second season is less a modern Columbo than a hipster Elsbeth—a fun, enjoyable, cooler version of what you can find on CBS, but not an especially better one—but there’s absolutely nothing wrong with that. Traditionally shows like this are breezy entertainment, first and foremost, not award-winning bastions of what this artform can aspire to, even if Peter Falk did rack up the Emmys back in the day. If Season 1 was a full house, Season 2 is three of a kind, to make the most obvious, least imaginative comparison possible, and there’s no bullshit in that at all. —Garrett Martin [Full Review]
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