Remarkably, USA Network’s legal drama Suits, which ran during their “blue sky” era and ended in 2019, might just become the biggest streaming hit of the year. So far, it has spent four consecutive weeks atop Nielsen’s streaming chart, breaking record after record—including most weekly minutes viewed by an acquired title. This comes just about a month after the series was added (almost) in its entirety to Netflix, with the full series streaming on Peacock.
However, now that you’ve finished binging Suits, what’s next? While I could list off a number of streaming originals that also follow the happenings of lawyers, I don’t believe the legalese is why Suits has taken off in this exponential way. In fact, the runaway success of Suits indicates a strong desire from audiences to return to a television model we have increasingly grown nostalgic for: long-form seasons of long-running shows that allow us to watch characters grow and develop over time; in other words, we’re sick of 10-episode, 2-season wonders.
Below (and in no particular order), we’ve gathered shows that, like Suits, ran for multiple seasons and have at least 50 episodes, which allowed its characters and overarching storylines to develop and evolve in a pointedly long-form fashion—the way TV was meant to be. Similarly defined by a quick wit, enjoyable characters, and an episodic structure, these series are the best place to start in your post-Suits binge quest:
White Collar
Watch on Hulu
Watch on Freevee
From USA, the same network that brought you procedural masterpieces such as Psych, Burn Notice, and Monk, White Collar is another fun, case-of-the-week series worthy of a binge. The series follows Matt Bomber’s Neal Caffrey, a high-profile criminal that was finally captured by FBI agent Peter Burke (Tim DeKay). However, after an inmate escapes from a high-security prison, Peter offers Neal the deal of a lifetime: his freedom in exchange for becoming an FBI criminal consultant. White Collar hinges on the relationship between the charming Neal and buttoned-up Peter, and only gets more intriguing as Neal refuses to leave his criminal past behind him. Joined by his friend and co-conspirator Mozzie (Willie Garson), Neal’s criminal hijinks and his helping hand offer an addicting duality across the series’ six seasons. —Anna Govert
The Good Wife
Watch on Paramount+
Watch on Freevee
Are network dramas supposed to be this good? Julianna Margulies stars as the title character Alicia Florrick, who (in a storyline ripped from many, many headlines) is subjected to public humiliation when her husband, Peter (Chris Noth), the District Attorney of Chicago, is caught cheating with a prostitute. The scandal forces Alicia back into the workforce, and she takes a job with her (very sexy) old law school friend Will Gardner (Josh Charles). But Alicia is not your typical “stand by your man” woman and The Good Wife is not your typical show.
The brilliance of the series is that it deftly blends multiple and equally engaging storylines that both embrace and defy genre conventions. Each episode is an exciting combination of political intrigue, inner-office jockeying, family strife, sizzling romance, and intriguing legal cases. The series features a fantastic array of guest stars, and creates a beguiling and believable world where familiar characters weave in and out of Alicia’s life just like they would in real life: You’ll be fascinated by Archie Panjabi’s mysterious Kalinda Sharma, delighted by Zach Grenier’s mischievous David Lee, marvel at Christine Baranski’s splendid Diane Lockhart. And, witness the transformative performance Alan Cummings gives as the cunning Eli Gold. But the real reason to stick with the series is to partake in the show’s game-changing fifth season. Many series start to fade as they age, but The Good Wife peaked late in its mostly glorious seven season run. —Amy Amatangelo
Monk
“Homicide detective with OCD” might seem like a cheap concept on paper—after all, Detective Adrian Monk (Tony Shalhoub)’s obsession with the tiniest of details is an easy, plausible explanation for his uncanny ability to solve even the most convoluted crimes by episode’s end. But Monk used its central character’s mental illness as so much more than plot device; though the show was a procedural, character development was always its driving force. We continue to learn bits and pieces of Monk’s backstory (his wife Trudy was killed by a car bomb, resulting in his nervous breakdown and worsening of his OCD), we watch as his mental health gradually improves, and through it all we’re treated to an expert blend of comedy and drama that makes it so obvious why Shalhoub was nominated for eight Emmys (taking home three) for the role. —Bonnie Stiernberg
Mad Men
Look, you don’t need us to tell you that Mad Men is one of the greatest TV dramas of all time; you have the entire Internet for that, and frankly, that’s time you could be spending watching more Mad Men. But with his tale of 1960s (and eventually, early 1970s) ad men and women and the American Dream, Matthew Weiner did something truly extraordinary: He proved that there’s drama in everyday life. Unlike pretty much every other TV drama, this one doesn’t deal with cops, doctors, or lawyers; there are no Mafia dons or drug lords going down in a hail of bullets. It’s just a bunch of people working together in an office, trying to push forward and navigate one of the most compelling decades in American history. Sure, it’s glamorous and brilliantly written, and the fact that Elisabeth Moss never won an Emmy for it is criminal, but ultimately, it’s oddly relatable, and that’s what great TV is supposed to do—show us to ourselves. —Bonnie Stiernberg
