Marvel’s Agents of S.H.I.E.L.D.: “The Magical Place” (Episode 1.11)

“A magical place.”
That’s how Clark Gregg’s Agent Colson has characterized his recovery in Tahiti, the location were he was supposedly shipped and rejuvenated following his “death” at the hands of Loki in The Avengers. Of course, the makers of Marvel’s Agents of S.H.I.E.L.D. knew that the “I was holding my breath” excuse would not fly,” so they quickly began seeding a greater mystery. In the pilot, Cobie Smulders’ Maria Hill and Ron Glass’s S.H.I.E.L.D. medical physician Dr. Streiten acted like everything was hunky-dory in Colson’s presence; it was only after the agent had left a room that you realize how much they were walking on egg shells around him.
“The Magical Place” promises to reveal the secrets of Colson’s resurrection. And it does—sort of. As with any major mystery, however, the answer just manages to yield more questions. It also doesn’t help that the answer is not exactly satisfying.
But we’ll get to that. First, how does the episode work?
From the pilot episode, the major appeal of Marvel’s Agents of S.H.I.E.L.D. to me has always been Colson. The other characters—well, not so much. And I’m certainly not the only critic to hold this opinion. All the other characters—from stodgy, by-the-numbers superagent Grant Ward to stoic fighter Melinda May to comic relief duo Fitz and Simmons to audience conduit Skye—feel like basic variations on archetypes we’ve seen far too many times. As a writer, co-creator Joss Whedon has always excelled at taking these traditional archetypes and flipping them on their heads. S.H.I.E.L.D., however, has yet to demonstrate such subversion or even an attempt at deepening the characters beyond the basic “sad childhood” shtick. Perhaps it’s because Whedon is busy with the new Avengers movie, or perhaps there are just too many cooks in the kitchen here. Either way, S.H.I.E.L.D., while certainly fun at times, just seems to lack that certain spark that has helped position shows like Arrow or Sleepy Hollow as consistently exciting, must-see genre excursions.
But, yes, all this is to say that the episode was a big split for me. I found myself loving the interplay between Colson and his Centipede captor Raina, that devious beauty in the flower dress. This dynamic is easily the episode’s strong suit, especially when the two debate why Colson pledges allegiance to an organization that has hidden so much from him. Rarely do we see the cool-as-cucumbers Colson at a loss for words, but it happens here and Clark Gregg sells it with great gusto, particularly in a later scene when he’s utterly inconsolable. In a world where a show like S.H.I.E.L.D. could afford to experiment and play with structure, I would have loved nothing more than to have a bottle episode of simply Colson and Raina’s conversations, with the team conducting their investigation off screen.