The 15 Best TV Shows of 2014 (So Far)
Now that we’re past the halfway point of 2014, it’s time to temporarily rip ourselves away from our Netflix binges and poll our TV writers on their favorite shows of the year so far. This year, there was a clear favorite that wound up being nearly everyone’s number-one pick (we don’t want to ruin it, but you probably don’t have to be Rust Cohle to figure it out). But, in a True Detective-less world, any of these shows would be worthy of the top spot—that’s how great a TV year 2014 has shaped up to be so far. And if you’re wondering if the TV landscape is still getting better, 11 of these 15 series are in their first or second season. So, without further ado, we give you the 15 Best TV Shows of 2014 (So Far).
15. Orphan Black
Network: BBC America
Last year, Orphan Black entered the TV rat race as a scrappy, offbeat, underdog. By the time its 10-episode season wrapped, the show, and particularly Tatiana Maslany’s performance, had become one of the breakout success stories of the year. With its second season, the show returned to the airwaves amidst a wealth of newfound expectations. The Sarah-Cosima scene in this year’s finale may be one of the its smaller moments, but its quiet intensity perfectly demonstrates what the show does best. Genre shows are only as good as the characters they choose to hinge their themes on and Maslany’s soulful performance here really highlights how Orphan Black often prioritizes its main character over its mythology. Watching these two characters connect on such an emotional level, you almost forget that this is a sci-fi show involving clones with one actress playing both roles.—Mark Rozeman
14. Rectify
Network: Sundance
Rectify has a simple enough premise: A man sent to rot on Death Row is released from prison after 19 years. Sure, the big and small screens have seen their fair share of crime dramas, but Rectify’s plot isn’t what sets it apart: It’s the rest of it. Daniel Holden, arrested for the rape and murder of his girlfriend, finds himself back in his hometown, greeted by constant life-threatening hostility. The show explores the bonds between Daniel (played to perfection by Aden Young), his family and his enemies as they struggle to deal with Daniel’s homecoming. Superbly acted, the program successfully meshes the best bits of a TV show together, managing to be at times heartbreaking and suspenseful, while also beautifully incorporating moments of effortless humor. Rectify is thought-provoking and will make you care about the future of its characters—like all the best shows do.—Rachel Haas
13. Hannibal
Network: NBC
Rivaled perhaps only by later episodes of David Lynch’s Twin Peaks, the second season of Hannibal feels unprecedented in its scope and complexity. In the beginning, the show felt like a cable drama bursting to get out of its network confines, but—kudos to NBC—the show has subsequently been allowed both an artistic freedom and a level of experimentation that feels like an unchecked fluke in the network system. Bryan Fuller is certainly no stranger to the kind of economic concerns that ended his two previous shows (Pushing Daisies and Wonderfalls) early in their run, and prevented his most recent pre-Hannibal project (The Munsters reboot Mockingbird Lane) from making it past the pilot episode. Yet, thanks to funding from French studio Gaumont and some great international numbers, Fuller and his team have found a loophole that allows them to keep resurrecting the show with full season orders. Film and television have always been a peculiar dance between art and commerce and it’s nice to live in a world that allows a group as brilliant as the Hannibal creative team the financial freedom to make something as brilliant, moving and disturbing as “Mizumono.”—Mark Rozeman
12. The Americans
Network: FX
As shocking plot twists go, Jared (SPOILER ALERT) being the one who murdered his parents and his sister may rank as one of the most shocking plot twists ever. I didn’t even begin to suspect him until about ten minutes before the big reveal. But here’s the thing about big, shocking reveals—they can’t just shock for shock’s sake. It’s got to hold together. And the Jared reveal really did. Everything suddenly made sense—why Jared was swimming when his family was massacred, why Kate was meeting with him without disguise, and why he was so good at lying. A good finale offers a satisfying conclusion while laying the groundwork for the next season. The stunningly perfect season finale of The Americans did exactly that. Paige is in play. Philip and Elizabeth are at odds about Paige’s future. The FBI knows about Emmett and Leanne. I can’t wait for season three.—Amy Amatangelo
11. Last Week Tonight
Network: HBO
Last year when John Oliver stepped in to host The Daily Show in Jon Stewart’s absence, our Josh Jackson wrote that he “grabbed the mantle with both hands.” The same is true of Oliver in his new role as host of his own show, whether he’s skewering fireworks displays and FIFA or schooling us all on net neutrality. Being on HBO—in other words, on a network that relies on subscription revenue instead of advertisers—has given Oliver the creative freedom he needs to truly shine.
10. Broad City
Network: Comedy Central
In just 10 short episodes, this show has gone from the most promising comedy on TV to a bonafide comic powerhouse. Stable, non-competitive friendships between two women are basically nonexistent on television, as are realistic depictions of young people, and the show’s secret weapon has always been the refreshingly authentic friendship at its core. Regardless of how Broad City’s next season turns out (and I suspect it’ll be pretty goddamn hilarious), Abbi and Ilana’s first year will stand as a real achievement in keeping it real.—Hudson Hongo