Jennifer Beals Breaks Down That Big Reveal on The L Word: Generation Q
Photo Courtesy of Showtime
Do not read this interview if you haven’t watched “Loose Ends,” the January 12 episode of Showtime’s The L Word: Generation Q!
Jennifer Beals is very relieved.
She can finally (finally!) talk about a major plot point in The L Word: Generation Q.
The series is the continuing story of Bette (Jennifer Beals), Shane (Katherine Moening),and Alice (Leisha Hailey)—as well as introducing new characters—and has followed Bette as she runs for mayor of Los Angeles. But someone has been missing. Bette’s wife Tina, played by Laurel Holloman, was only talked about or unseen on the other end of a phone call. Viewers learned that in the ensuing years between the original series and Generation Q, Bette and Tina had gotten divorced and their now adolescent daughter Angie (Jordan Hull) lives with Bette. Holloman was never mentioned as a returning cast member and it was generally assumed she wouldn’t be part of this revival. Talk about your well-kept secrets!
In “Loose Ends,” after Bette’s mayoral campaign takes a decided turn for the worse, she opens the door to find Tina (Laurel Holloman) at her doorsteps and one of the show’s most iconic couples is reunited.
Now that Beals can chat freely, she gave Paste a call to talk about this major plot twist.
Paste: It must have been so hard not to talk about this.
Beals: You have no idea! Because, as an actor, it’s in my mind all the time. The things that I’m living that are propelling me are [my sister] Kit’s death and this divorce and my love for my daughter and those are the three things that are really at play for me the most during the season. And having thought about Tina so much and not have her present was really hard, and then not being able to talk about her in interviews was really challenging. It’s fun to keep it a surprise for everybody because you want to hear the collective scream when Bette opens the door. And opening the door is just so much fun. It’s just surreal. You open the door and Tina is there and she looks so beautiful and she’s backlit and she looks like this angel who is coming to rescue me.
Paste: So tell me a little bit about the decision of when and how to bring Tina back.
Beals: The fact is that Laurel Holloman has a very prolific, important, international career as a painter and painter’s timeline is very different from an actor’s time line. Like I could get a call today from my agent saying, “You’ve been offered this part. It shoots in Paris in 48 hours you need to tell me in six hours whether you want to get on the plane.” With a painter you get a show a year out perhaps and you have to paint 25 canvases or whatever the number of canvases are so it wasn’t possible to have Laurel in from the get go. So you’re trying to figure out her schedule and when you can have Tina in the flesh on the screen, and figuring out how do we create the relationship when she’s not there and make sure that she has a presence so that when she arrives it’s not completely out of the blue.