The Multiversity: Mastermen #1 by Grant Morrison & Jim Lee

Writer: Grant Morrison
Artist: Jim Lee
Publisher: DC
Release Date: February 18, 2015
At the onset of The Multiversity, I scribbled a review that frets over how easily the whole thing could crumble in on itself if writer Grant Morrison lets his semi-fetish for “meta”-ish-ness override coherency and relatability. Well, he hasn’t ended up doing that. As of Mastermen: Splendour Falls, the seventh entry into the mini-series, it appears I misplaced my erstwhile concerns. Whoops.
In Mastermen, Lord Broken makes its first appearance — in a Superman analogue’s dreams — since the cackling living tower, crowded with giant disembodied eyeballs, first debuted to help its Gentry brethren unmake reality all the way back in August’s The Multiversity #1. If any of that sounds confusing, just disregard it, because knowledge, or even interest in previous Multiversity books — much less the decades of DC continuity that inspired them — isn’t needed to understand or appreciate the perverted brilliance of Mastermen.
If you sort of know about Superman, and you sort of know about Hitler, you can basically follow the story.
Or, if you’re just a self-reflective sort of person, that should do the trick, too. I’ve read various musicians with no apparent relation or connection quoted saying such shit paraphrasable as, “With this album, I’m asking, ‘Am I a fundamentally good person with evil tendencies, or a bad person occasionally capable of being nice?” Musicians say that type of thing in interviews because it sounds profound, but it’s only a slightly sexier version of the timeless — and probably unanswerable — conundrum of nurture versus nature included in each of our respective built-in, complimentary software packages.