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Kesha: Rainbow Review

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Kesha: <i>Rainbow</i> Review

It’s not uncommon for pop stars to emerge with an industry-constructed image. From Britney Spear’s “girl next door” persona to Lana Del Rey’s “Laurel Canyon goddess,” musicians have began their careers as manufactured products. When Kesha first surfaced in 2009 with “TiK ToK,” she was portrayed as a gritty party girl whose songs were (too) often over-AutoTuned. But throughout her career, it was clear there was a lot more to be had than her dancefloor pop songs.

In reality, she had the vocals of a popstar, rockstar and country singer. Last year on the Kesha and the Creepies: Fuck the World Tour, she was legally only allowed to sing alternate versions of her songs under label RCA/Kemosabe. Often she put a twang twist on her songs and even formed a rock ‘n’ roll band Yeast Infection in 2016. Her sonic evolution didn’t go unnoticed, and it was becoming apparent that she had moved beyond the hype of her first single that chronicled how she woke up “feeling like P. Diddy.”

Since the release of Kesha’s first new track in four years “Praying,” she’s made a point of showing that her latest songs are catharsis, personal therapy. It’s no secret her ongoing legal battles with producer Dr. Luke have taken a heartbreaking toll on her life and career. And without naming names, she tells her story, her way, but focuses her gospel-fueled lyrics on being the better person (and by giving you chills with her rallying cry). But what’s most incredible is the fact that Kesha’s. “Praying” is without a doubt the standout song on the album, which isn’t often the case for singles, But it’s such an emotive, confessional piece of writing that shows her vocals hitting a shrill high note that undoubtedly gave you chills.

In following her songwriting throughout Animal and Warrior, Kesha delved into soulful balladry (“The Harold Song, “Wonderland”) and shades of rock ‘n’ roll (“Dirty Love” alongside Iggy Pop) where she could, even if her singles were club-ready tracks. On Rainbow, Kesha doesn’t hold back — exploring her own underutilized talent and knack for barebones songwriting.

A first for Kesha, she begins a record with a ballad, and does so to make a point. On opener “Bastards” she points out “all these motherfuckers been mean,” but coming to the conclusion “I could fight forever but life’s too short.” The change sets a scene for a different kind of Kesha album, and it’s about time.

Alongside Eagles of Death Metal, Kesha explores her inner Joan Jett on Bangles-esque “Let ‘Em Talk” and on Rocky Horror Picture Show-inspired “Boogie Feet.” It’s clear her time spent with The Flaming Lips’ Wayne Coyne (RIP their Lipsha collaboration) lent to her penchant for psychedelic balladry (“Godzilla” and “Finding You.”) But where Kesha shines the most is when she goes back to her Nashville roots, finally putting out the country-tinged tracks that she should have been releasing all along. While “Hunt You Down” moves as a breezy honky tonk track and “Spaceship” croons as a bittersweet country lullaby, the standout piece is the Dolly Parton cover “Old Flames (Can’t Hold A Candle To You),” where Parton herself adds color to the track with her own vocals.

Kesha oscillates between owning her confidence on the soulful, empowering “Woman” to having enough self-awareness to know that her past won’t stop her from loving herself and finding joy (“Rainbow”). Kesha’s new LP might have a different sound than the songs that put her on the map, but she’s being as authentic as possible. On “Hymn,” Kesha’s vocals burst with color singing, “I know that I’m perfect, even though I’m fucked up,” encouraging her “animals” to join together and embrace their flaws

Rainbow is as much about liberation as it is acknowledgement, and Kesha could have played it out differently. She has every reason to be spiteful, angry and upset: She’s been to hell and back. But instead, she takes the high road and practices what she preaches on her third album. Instead of dwelling on what isn’t said on the record, she chooses to use her experiences to find the strength to move on. And so we get the most authentic Kesha album yet, and it’s a triumph.

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