Does Comedy Central Have Any Principles?
This week Comedy Central made two profoundly tone-deaf releases in as many days: first, a trailer for Jeff Ross’s new special, Jeff Ross Roasts the Border; second, a Broad City-themed browser extension, “Trump-No-More,” which censors the word “Trump” wherever it may appear. Separately these items range from embarrassing to deeply racist. Together they paint a picture of a network utterly devoid of principle, grasping for relevance with all the grace of, well, a Comedy Central roast and a Broad City-themed browser extension. Let’s take them in turn.
In Jeff Ross Roasts the Border: Live from Brownsville, Texas, the Roastmaster General travels from Brownsville to Matamoros, Mexico for an hour of documentary and stand-up. “This provocative and compelling comedy special takes Ross on a journey where he meets everyone,” reads Comedy Central’s press release on the special, “from undocumented immigrants, law enforcement agents, DREAMers, ‘coyotes,’ and Trump supporters—even coming across a pregnant woman fleeing the violence in El Salvador, stopped at the U.S. border after crossing the Rio Grande river in a raft.” To what end? Why, to roast them all, of course, and so Ross can learn that “everyone has something at stake when it comes to immigration, and his high school Spanish isn’t as good as he thought it was.”
It’s a dumb concept preoccupied with lazy both-sidesism—it’s particularly galling to put “law enforcement agents” on the same plane as a woman fleeing violence—and anchored by someone who obviously has no new insight to contribute. That much is evident from the title, let alone a press release. It’s the trailer that truly reveals not only Ross’s incompetence, but his grotesque lack of empathy for the people he’s supposedly trying to understand. Here’s the first joke it shows us from his Brownsville set: “I heard yesterday they deported an 8-year-old Guatemalan girl and her three kids.” The trailer provides no context, so I cannot tell you whether this is a setup or a punchline or one beat in a series of more complex thoughts. What I can tell you is this: Ross says it and we hear an audience’s laughter. They laugh! They laugh at the repeated rape of a child and her presumed return to the conditions that brutalized her. What is funny about this, the rape or the state violence or the not-so-subtle dehumanization of brown people? Don’t @ me with your answer.