Heather McMahan Knocks It Out Of The Park in Son I Never Had
PHOTO: Heather McMahan
In the opening sequence of Heather McMahan’s new special, Son I Never Had, her father does her the honor of escorting her down the staircase for her entrance to her big night. Rather than, according to custom, extending his arm to her for this touching moment, McMahan takes a different approach, descending the stairs with her father’s ashes in tow, encased in an urn, the first of many morbidly hilarious, cheeky, and loud-out-loud-funny moments found in her hour-long performance.
After the sudden and rapid passing of her father due to a late-stage diagnosis of pancreatic cancer, Heather McMahan takes on the role of family patriarch with aplomb. In Son I Never Had, McMahan brings the audience through a series of stories about her late father, their family, her openly grieving on a public stage (read: IG Live), as well as her fertility efforts to start a family of her own.
Much unlike her petite sister and dainty mother, McMahan proudly wears her father’s build on stage, showcasing a beautiful, full figure embossed head-to-toe in Gucci. McMahan celebrates her genes, this inheritance from her father lending itself to a close relationship with him over the years, while illuminating the still-rampant sizeism that exists within society today. For example, for the blazer element included in the sequined pantsuit she donned for the live Netflix taping to fit, a specialty atelier had to sew two jackets together. A ridiculous, yet unfortunately necessary pursuit in a world that favors the emaciated form, McMahan criticizes the body positivity movement, joking about an ideal scenario in which formerly fat celebrities such as Adele, Rebel Wilson, and Khloé Kardashian sit her down at a Cheesecake Factory, out of concern for her hypothetically alarming weight loss.
Feigning surprise at her fictional friends’ intervention, “What, me? No!” She pulls off the caricature by voguing to the audience for a comically long time, a testament to her command of the stage as well as her ability to poke fun at herself.