Another Clunky, Graceless COVID Movie, Life Upside Down Squanders Its Stir-Crazy Cast

In 2023, COVID-19 remains a nagging if mercifully less lethal presence in our day-to-day lives, and with that small blessing, epiphanies about how the pandemic changed our world as we know it have increasingly lost real estate in popular culture. This puts Italian director Cecilia Miniucchi’s screenlife film Life Upside Down in an unenviable spot; even a 2021 release date would have benefited her medium and her story, because at that time screenlife films, like Natalie Morales’ excellent Language Lessons, could occupy a sweet spot, neither too close to the worst of the outbreak nor too far away that cinematic reminders hit as tasteless.
But the structure Miniucchi devised for Life Upside Down required waiting until her cast could be on set together to finish the film, an ambition that’s admirable but also detrimental to its impact. Her film feels oddly rushed, as if the basic conceit struck Miniucchi too long after people started making abrupt, and arguably premature, returns to what now passes as normalcy. Reality brickwalls that reading; production kicked off when Los Angeles’ lockdown began, with Miniucchi, Bob Odenkirk, Radha Mitchell, Danny Huston, Jeanie Lim, and Rosie Fellner collaborating by Zoom to stitch together three interconnected stories about what the rich and well-off sacrificed under COVID’s rigors.
Maybe that’s an unfair characterization. What affected average folks all over the planet on account of COVID also affected these actors, their supporting cast, and Miniucchi’s trim below-the-line crew. At the same time, Life Upside Down focuses on a trio of primary characters ensconced in luxury and security that average folks couldn’t afford (or which the pandemic robbed them of), so the film makes a big ask by expecting viewers to care much about art gallery problems rather than other problems of that time, like food scarcity and dwindling bank accounts.
John (Odenkirk) is a successful L.A. art dealer, and a successful two-timer nursing an affair with Clarissa (Mitchell), a college professor, while his wife Sue (Lim) is none the wiser. We see the lovers sneak off for afternoon delight during the film’s opening, where John’s gallery is abuzz with art-hungry, deep-pocketed socialites; Clarissa’s friend, Paul (Huston), a successful writer and potential buyer, has his eye on a couple of pieces, as does his younger wife Rita (Fellner). Life looks good. Then it’s turned upside down, in a title sequence where the city’s skyline slowly flips 180, in case the subtleties of the movie (including its title) are lost on us. Suddenly life sucks. Everyone’s stuck at home entertaining themselves as much as they can, while John and Clarissa keep sneaking around telling each other how badly they want to screw.