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Shark Whisperer’s Passionate Conservation Hints at the Inner Darkness of Ocean Ramsey

Shark Whisperer’s Passionate Conservation Hints at the Inner Darkness of Ocean Ramsey
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There’s a lesson, buried somewhere in the depths of Netflix’s new aquatic documentary Shark Whisperer, about how difficult it is for some of us to accept the explanations proffered to us about why a person would choose to repeatedly engage in an activity that carries obvious challenges and unavoidable danger. When looking from the outside, we try to rationalize obsession–to find not just concrete rationale for a person’s actions, but self-serving intent. Why else would they do this strange, dangerous thing that could easily kill them, unless they stood to profit mightily? But that line of thinking misses what is true of so many documentary subjects, and the reason why these people end up as the subject of documentary filmmaking in the first place: Their obsession is unique, and far from rational. They do what they’re compelled to do, perhaps because they feel it’s right, or more likely for esoteric and personal reasons they find difficult to fully articulate to someone who just doesn’t get it, and never will. So yeah, you can watch Ocean Ramsey swim with massive sharks and caress their toothy maws in Shark Whisperer and assign all kinds of self-serving intent along the way, but doing so will risk missing the profoundly meaningful experience she clearly draws from the activity … and the sadness lurking under the exterior of a person who has made their peace with death, regardless of how her own clearly apprehensive loved ones feel about that decision.

That’s the real meat of Shark Whisperer: Its hints at how a woman’s passion for shark conservation has undermined her own personal life, and how she ultimately has chosen to sacrifice her own safety and embrace constant, inadvisable threats in the name of her idealistic cause. The documentary skillfully captures both Ramsey’s seeming obliviousness to the pain and concern of her closest loved ones, and the ambivalence of the people watching her perform ever more dangerous stunts in the name of being an awareness-raising ally to nature.

Unfortunately, Shark Whisperer doesn’t actually seem to be aware that this is its most compelling element. Instead the film, directed by J.P. Stiles, Harrison Macks and My Octopus Teacher co-director James Reed, styles itself as a portrait of Ramsey’s passion for conservation, and the criticisms of her “reach out and pet the shark” methods that follow from scientific circles and various marine-loving corners of the internet. The film only skims here and there the personal elements of how Ramsey’s obsession has shaped her mindset, instead working hard to seemingly unearth juicier “controversy” around the woman where little of it honestly exists in any way that is consequential. Shark Whisperer wants you to believe that Ocean Ramsey is a “lightning rod” in marine conservation circles; in truth she’s just a very skilled influencer, amateur scientist, impressive free diver and messaging specialist who has earned a bit of unavoidable jealousy from a few of the talking heads that these filmmakers were able to track down, and the trolls commenting on Instagram videos.

And sadly, it shouldn’t be a surprise that a woman posting … uh, anything … on the internet receives her fair share of criticism and abuse. We’re shown some of those critiques, which range from the obvious garden variety sexism or misogyny (comments on her body, wild accusations of grifting), to more sophisticated concern trolling that worries aloud that Ramsey will somehow influence others to find and pet man-eating sharks. To which we can only observe: Do you know how hard it is to find a wild great white shark to caress? Try as these concerned souls might, it’s difficult to imagine Ramsey’s stunts, performed in the name of public education to stop shark hunting and slaughter, will somehow put any of her viewers in danger. Nor does her work seem to have any particular negative impact upon the sharks. This makes some of the comparisons–one person briefly invokes Tiger King’s Joe Exotic–feel particularly forced. Ocean Ramsey is not some huckster running a shark petting zoo, where she’s abducted the marine apex predators to put them on display. She’s a woman obsessed with sharks due to some largely unexplained misanthropic tendencies of her own, who clearly has always felt more comfortable in the ocean (even as a child), among sea life, than among other people. Her grasp on shark behavior at times seems more advanced than her understanding of human behavior, although she can at least intuit (correctly) that by exploiting her status as an attractive blonde woman, she can bring far more attention–positive and negative–to her cause than any man would be able to do in the same scenario. She’s tacitly agreed to shoulder whatever abuse comes along with playing up her femininity to the camera, because she knows the bottom line result is more impressions and a bigger audience for her message.

This is where Ramsey’s story, and Shark Whisperer by extension, becomes particularly interesting: Ramsey’s willingness to do anything for her crusade, even when those who care about her would very clearly like to see her show more care and interest in self-preservation.

The woman doesn’t sugar coat it, either: In one candid sequence captured by the camera as Ramsey talks in the car with husband/dive partner/cameraman Juan Oliphant, she casually refers to the likelihood of her eventual death while diving with the sharks by saying “I’m good to go at any time.” She doesn’t look to him for agreement. It’s an exceptional moment, the unheralded centerpoint of the documentary–she mentions her willingness to die as if she has no interest in even trying to avoid it, while her husband looks on with clear pain and reticence on his face that she chooses not to see. You can see the silent argument he’s having with himself in his mind, debating whether to broach the topic, to start an argument. Oliphant emerges as something of a pitiable character here, because his apparent lack of confidence and security in his relationship with Ramsey seemingly prevents him from speaking up when she’s casually invoking borderline suicidal ideation in her shark mission. This man is nearly as passionate about sharks as Ramsey is–it’s presumably what made him an acceptable partner–but he’s in such a position of powerlessness in their relationship that he likely fears he’ll lose her if he tries to more assertively challenge her on the unnecessary risks she takes on a daily basis. And so, Oliphant holds back from expressing what he’s clearly thinking, even as he puts himself in just as much danger by functioning as Ramsey’s primary camera person in those same shark-infested waters. You can see how much it hurts him to know that Ramsey has made peace not just with the thought of her own death, but his as well. In a choice between Oliphant, and the sharks, we don’t doubt that Ramsey would choose the sharks. Fire of Love, this ain’t.

This entire thread, though, exists on the periphery of Shark Whisperer, which is instead much more interested in how the world sees Ramsey, or in simply depicting the admittedly impressive underwater sequences in which she achieves her particular rapture through communing with her favorite creatures. One is certainly tempted to invoke the name of Timothy Treadwell, the grizzly bear obsessive so famously captured in Werner Herzog’s documentary Grizzly Man, and it seems at times like even Ramsey has just accepted that a shark-related misadventure is the way she’s likely to eventually leave the world. Treadwell believed himself to have a special bond with the bears, and for 13 summers in the Alaskan wilderness he was more or less right: That is a long time to dodge danger, and one can see how it would build a certain delusion of indestructibility. It’s to her credit that Ramsey doesn’t ever seem possessed of the same misplaced belief that she’s somehow immune to the danger. Rather, she embraces the danger with a thinly veiled nihilistic streak, which might be scarier in the end.

Shark Whisperer would ultimately be more engrossing if it dialed itself in more tightly on the strain of misanthropy and distaste for the human world that has always driven Ocean Ramsey into the sea, and ultimately driven her to seek not just understanding but kinship with the predatory fish that most people fear. Instead, it dawdles too often in manufactured controversy, but enough of the morbid human drama of Ramsey’s inner life does peek through to make the experience fascinating nonetheless. If only we could have dove a bit deeper.

Directors: J.P. Stiles, Harrison Macks, James Reed
Release date: June 30, 2025 (Netflix)


Jim Vorel is Paste’s Movies editor and resident genre geek. You can follow him on Twitter or on Bluesky for more film writing.

 
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