Neighbors 2

Back in 2014, Neighbors became a hit and marked, if not a maturation of Seth Rogen and his foul-mouthed comedy style, at least a shift toward more mature themes, particularly those of fatherhood and marriage. Produced for a modest sum, and with a worldwide box office haul of more than $270 million, it is now followed by a no-brainer sequel here to strengthen Rogen’s dad brand. Is Neighbors 2: Sorority Rising necessary? No. Is it formulaic? Yes. Is it really funny? Definitely.
The action picks up with Mac and Kelly Radner, played once again with fantastic chemistry by Rogen and Rose Byrne. Still grappling with being parents when they themselves still feel like kids, trying to maintain their cool and relevance, they have another baby on the way and are 30 days away from selling their home and fleeing to the suburbs.
Just when the Radners think they’re done with out-of-control college kids forever, a sorority moves into the house next door, the same one occupied by the frat in the last movie. This isn’t your usual sorority full of prim, proper, wholesome young ingénues. Founded by a trio of first-year college students—Shelby (Chloe Grace Moretz), Beth (Kiersey Clemons) and Nora (Beanie Feldstein)—Kappa Nu, as they dub themselves, is a sisterhood based on raging and avoiding the “rapey” scene at the school’s frats. Their hard-partying ways, of course, conflict with Mac and Kelly’s interests, and the battle between young and less-young begins anew.
That Kappa Nu is a reaction to both staid sorority life and the sexist double standards of the male-dominated college system—an early scene at a frat party may very well make your skin crawl if you’ve ever had any women in your life you care about—is indicative of the underlying progressive thread in Neighbors 2. Sure, they may be down to get wild, but these young women are trying to create a safe space, where they’re in control, and where they don’t have to worry about being harassed and intimidated.
Zac Efron’s Teddy Sanders is back, shoehorned into the plot, though he makes good use of his time and arguably becomes the film’s center. After being kicked out of his apartment when his frat bro/roommate Pete (Dave Franco) gets engaged to his boyfriend, he turns to the one thing he’s ever been good at and serves as a party mentor for Kappa Nu. His goofy, super-hot-lost-puppy-dog shtick makes him the perfect foil for the 18-year-old girls. Teddy teaches them how to do things like pay their rent, and they in turn move him toward enlightenment by showing him why things like a Pimps-and-Hoes party isn’t particularly cool from a woman’s perspective.
This empowerment thread occasionally gets left behind for other concerns, and there are missed opportunities to add texture and depth to the message. But at its best, Sorority Rising puts a fresh spin on well-worn college comedy tropes—a feminist icon party is a brilliant idea that I hope is a real thing that happens, and one prank in particular is both horribly foul and cleverly skewers gender hypocrisy when it comes to gross-out comedy.