Samuel L. Jackson’s 10 Best Roles

Just like many kids of the ’90s, the first time I truly noticed Samuel L. Jackson as the acting powerhouse and all around bastion of badassery was when he took a bite out of Brett’s burger before delivering, with great vengeance and furious anger, one of cinema’s most iconic monologues. As much of a star-making turn as Jackson’s amateur monk/hit man in Pulp Fiction was, I gradually realized at the time that his genius has been brewing in many a supporting or even background role for pretty much a decade up to that point. He was the smooth-talking voice of reason DJ in Do the Right Thing, the tragic crackhead brother in Jungle Fever—even in a bit part as a robber in Coming to America he managed to make this mark.
Since Pulp Fiction, Jackson has been a staple of pop culture: He’s the consummate definition of a versatile actor, delivering countless different types of characters with incredible attention to detail and work ethic. Not only is he the go-to guy when you need a quick injection of effortless charisma into your blockbuster, but he’s proven himself to be invaluable when it comes to subtle and delicate dramatic performances as well.
He’s such an important part of our lives—every baby born after the mid-’90s has to learn speech, gross motor skills and Samuel L. Jackson quotes to survive in this world. So we thought, with the upcoming release of the Samuel L. Jackson and Ryan Reynolds vehicle The Hitman’s Bodyguard, we’d revisit the best performances of this great actor and greater employer of curse words. As you might guess, there are a lot of memorable Samuel L. Jackson performances from which to choose. Hell, the man currently has a whopping 175 acting credits on IMDB. It’s hard to pick just ten when it comes to the purple lightsaber master.
So hold onto your butts, here are the 10 best Samuel L. Jackson performances:
10. Zeus Carver, Die Hard with a Vengeance (1995)
As Zeus, the no-nonsense Harlem storeowner forced to join hardcore detective and unluckiest person alive, John McClane (Bruce Willis), on a deadly scavenger hunt across New York City, Jackson brings new energy to a franchise that was already on the verge of becoming stale. If you’re uncertain as to how important it is to pick the right second banana with enough natural presence to boost Willis’s one-liner machine, consider: Jai Courtney in A Good Day to Die Hard. Not only does Jackson perfectly balance a well-needed dose of calm with some intense energy, he also delivers one of the best lines of his career: “Don’t fuck with me or I’ll shove a lightning bolt up your ass!”
9. Mister Señor Love Daddy, Do the Right Thing (1989)
Señor Love Daddy, the smooth and friendly neighborhood DJ in Spike Lee’s still painfully relevant masterpiece about American race relations, works as a Greek chorus to the ever-rising tension that takes place during the hottest day of the summer in 1989. The film opens with a jarring call to the audience to “Wake up!” and recognize the racial inequality and oppression that exists all around them, and ends with a solemn request for solidarity and peace. Jackson puts so much depth and character in the relatively small role, that this character is still, to get personal for a moment, such an important part of my life that I imagine Señor Love Daddy still filling the airwaves with silky tunes and the occasional Public Enemy track dedicated to the memory of Radio Raheem (RIP Bill Nunn).
8. Ordell Robbie, Jackie Brown (1997)
“AK-47! The very best there is. When you absolutely, positively, got to kill every motherfucker in the room, accept no substitutes,” boasts cocky gangster Ordell Robbie in what is easily Tarantino’s most underrated film. It was clear from Pulp Fiction that Tarantino had found his muse in Jackson, but it was their second collaboration that really solidified their bond. There were so many ways this character, the chief antagonist to Pam Grier’s slick and smart flight attendant, could have gone horribly wrong. On paper and upon first look, he comes across as a spoof of a blacksploitation cliché. Yet while Jackson effortlessly delivers those cocksure Tarantino lines with expected gusto, he gradually adds layers to Ordell Robbie, revealing the inherent insecurity and fear hiding under his insatiable ego. By the time he’s cornered in the third act, Robbie is a psychopath who earns your pity.