Rogue Squadron Could Return to Star Wars’ Post-War Influences
The movies have featured less of the dogfighting action that defined the first film.

Doctor: But could you hit a target that size from eight miles up?
Wallis: I reckon that a near miss, even 50 feet, would do the job.
—The Dam Busters, 1955
You don’t need to look too far to find analyses of Star Wars that point out it’s modeled after the hero’s journey of Joseph Campbell’s scholarship, or that it borrows heavily from Westerns and samurai films. But even more deeply ingrained in the phenomenon, I think, is that Star Wars is a post-war film, made by a Baby Boomer who clearly immersed himself in post-war film. And nowhere is that specific influence easier to see than in the dogfights that mark some of the series’ most thrilling set pieces. The spaceships are some of the coolest things about Star Wars, period.
And so, one of the most exciting announcements about Star Wars’ future to come out recently was that Patty Jenkins (director of the Wonder Woman movies) will direct a movie about Rogue Squadron, the storied X-Wing squad from the movies and numerous other spin-off properties. Besides the usual intriguing questions about just where such a story could go, it’s also exciting to think what you could do with a movie focused fully on space laser dogfighting action.
“How many guns are there?”
“I’d say there’s about 10 guns. Some on the field, and some on the towers.”
—The Dam Busters, 1955
Your stereotypical fighter aircraft pilot is a cocky hotshot, but one we think of (fairly or not) as smarter than a lowly grunt. Operating a military vehicle that can fall out of the sky if you’re bad at driving it is difficult, and dogfighting—the aerial battles between fighters—requires so many different skills and physical demands at the same time that it seems superhuman. As the world wars introduced new, unfathomably cruel weapons to the battlefield, fighter pilots were lionized at the same time. “Knights of the Air,” they’ve been called. And Lucas was born into a time when many rah-rah, effects-heavy war stories in cinema focused on their exploits.
It’s not surprising that, in crafting an adventure story, so many elements of it would reflect the war Lucas’ generation grew up hearing stories about. And, in retrospect, not surprising that such a story would resonate with the population that still remembered that war. The Empire looks like an awfully familiar old enemy, at the same time the Rebel Alliance has always had the feel of the Dirty Dozen.