The 20 Best Free Movies on YouTube (2015)

Full movies get uploaded to YouTube all the time. At the moment, you can see everything from Toy Story to Monty Python’s The Holy Grail for free—if you don’t mind occasional crappy audio and the fact that some Russian YouTuber is totally ignoring copyright law.
But there are also hundreds of movies legitimately hosted on the streaming video site, and these are the ones we’ve focused on here. Some of these, like Buster Keaton’s The General and Night of the Living Dead are in the public domain. The latter famously was never copyrighted thanks to an error on the part of the distributor. Several are silent film classics, but don’t let that scare you away. There’s also some indie comedy, a recent animated film and lots of good ol’ fashioned horror flicks, as well. Most notably, you can find 13 different Alfred Hitchcock movies streaming free on YouTube.
Here are the 20 Best Free Movies on YouTube:
20. A Bucket of Blood
Year: 1959
Director: Roger Corman
A Bucket of Blood captures B-movie maven Roger Corman in a transitional period, after his early, shoddy monster movies and before his more acclaimed, Edgar Allen Poe-inspired gothic horror pieces. Here, he turned to comedy for the first time, effectively satirizing his own cheapo oeuvre while also drawing parallels to early classics of the horror genre. The film features Corman mainstay Dick Miller in the lead role—an actor you might not know by name but would recognize as “that guy who gets killed” in practically every ’80s horror or sci-fi feature, from The Terminator to Chopping Mall. He plays a rather slow-witted worker in a Bohemian cafe who is unintentionally hailed as a great sculptor after accidentally killing a cat and covering its body in clay to hide the evidence. A madcap series of accidental and eventually premeditated murders follow to keep up the ruse, in a story with obvious inspiration in Mystery of the Wax Museum and House of Wax. Featuring an unusually sincere portrayal of Beatnik culture in the late ’50s, it’s a funny, sneakily insightful flick from the King of the B’s.—Jim Vorel
19. The Farmer’s Wife
Director: Alfred Hitchcock
Year: 1928
Alfred Hitchcock’s sly sense of humor was always a great asset to his films, but it’s rarely in the forefront as much as in this silent comedy of manners. The film follows a widowed farmer’s (Jameson Thomas) ill-fated attempts to fulfill his late wife’s wish that he replace her. Hitchcock rolls through a variety of comedic episodes as the farmer attempts to woo outlandish spinsters, widows and barmaids, spoiling at least one lavish party in the process. Each character has such a unique personality and style that the simple premise never runs out of charm.—Jeremy Mathews
18. Carnival of Souls
Year: 1962
Director: Herk Harvey
Carnival of Souls is a real diamond in the rough, an indie cheapie that gets by much more on style than substance but proved influential in its own ways. An eerie, black and white horror flick with the “urban legend” quality possessed by so many episodes of The Twilight Zone or Night Gallery, it follows a woman who miraculously survives a deadly accident and the strange and terrifying sights she begins to witness in the days that follow. She’s haunted by pale-faced ghouls and a specter known only as “The Man,” played by the film’s director, Herk Harvey. Employing some great performances and visual cues that take inspiration from German Expressionism, it’s the sort of atmospheric, creeping horror film that some modern audiences may no longer have patience for, but indispensable to students of the genre.—Jim Vorel
17. The Ring
Director: Alfred Hitchcock
Year: 1927
While he crafted screenplays his whole career, Alfred Hitchcock’s only sole screenwriting credit was for The Ring, a silent boxing film depicting a scandalous love triangle. While he makes the mistake of creating such an unlikable woman that you hope she doesn’t end up with anyone, he shows his impeccable sense of structure and visual wit. He loads the film with camera trickery, telling details and clever production design (note the comparative wear on the boxing round signs to show how little a match ever goes to round 2). Even the energy of the champagne bubbles relay emotional significance in this minor but impressive display of the master’s abilities.—Jeremy Mathews
16. College
Year: 1927
Directors: Buster Keaton, James W. Horne
Sandwiched in Buster Keaton’s filmography between two elaborate, grand-scale epic masterpieces (The General and Steamboat Bill, Jr.), College naturally seems small by comparison, with its contemporary genre story of a nerd trying to learn athletics to woo the woman he loves. But don’t let that make you think The Great Stone Face didn’t pay the same attention to building gags, teasing the audience, and finishing it all off with a thrilling finale. The film also features a scene with Keaton in blackface, as his character gets a job as a “colored waiter.” While the racism shouldn’t be brushed aside, Keaton deconstructs the racial humor by surrounding himself with black staff members at the restaurant, who walk around the restaurant normally while his character increasingly turns up the racist pantomime as he senses his ruse unravelling.—Jeremy Mathews
15. The Living Wake
Year: 2010
Director: Mike O’Connell
It’s difficult to explain why star and co-writer Mike O’Connell is so funny, but his film, a strange cross between a Monty Python sketch and a Christopher Guest mockumentary, entertains nonetheless. Portraying the eccentric K. Roth Binew with an exaggerated Shakespearean delivery, O’Connell sets out to document his character’s last day on earth after being diagnosed with a vague terminal disease. He is also indescribably entertaining in person and in his YouTube hit “What’s It Gonna Be?” Keep an eye out for this guy.—Tim Basham
14. The Last Man on Earth
Year: 1964
Directors: Ubaldo Ragona, Sidney Salkow
Richard Matheson’s I Am Legend has proven notoriously difficult to adapt while keeping any of its ideas intact, but compared to the later Omega Man or 2007 version of I Am Legend with Will Smith, this is probably the best overall take on the story. Some have called it Vincent Price’s best film, featuring wonderfully gothic settings in Rome where the last human man on Earth wages a nightly war against the “infected,” who have taken on the characteristics of classical vampires. It doesn’t fully commit to the inversion of protagonist/antagonist of the source material, but it makes the use of Price’s magnetic screen presence and ability to monologue. No one ever watches a Vincent Price movie and thinks “I wish there was less Vincent Price in this,” and The Last Man on Earth delivers a showcase for the actor at the height of his powers. Night of the Living Dead director George Romero has stated that without The Last Man on Earth, the modern zombie would never have been conceived.—Jim Vorel
13. The Lodger: A Story of London Fog
Year: 1927
Director: Alfred Hitchcock
Alfred Hitchcock’s films before The Lodger had plenty of his characteristic inventive camerawork and playfulness, but this is the one where he overtly hits the themes that he’d explore throughout his career: suspicion of people close to you, public mania, fear of the police. Telling the story of a sexy-but-dangerous lodger, whom our heroine suspects may be Jack the Ripper, Hitchcock builds upon clues and doubts, while making Ivor Novello’s character increasingly intriguing.—Jeremy Mathews