Zach Braff Is Back in New Jersey with A Good Person

The debut of Zach Braff’s Garden State, now nearly 20 years ago, felt like a filmmaker’s arrival, for better or for worse. Though the movie could be characterized as a more minor-key version of the antics-sentiment combination favored by Braff’s TV vehicle Scrubs, Garden State was so successful, meant so much to so many people as either a micro-generational totem or an emo punching bag, that the film transcended its side-project roots. And Braff’s first movie as writer-director continues to loom large over his career, in large part because Braff was so low-key in producing a follow-up. He went back to Scrubs, directed episodes of that show and others, and a decade passed before Wish I Was Here confirmed a lot of fear (and/or gleeful suspicion) over his actor-director self-indulgence. (Starting off on the wrong foot: It was his second movie in a row starring himself as a struggling actor.) A few years later, he quietly acquiesced to a for-hire job, directing a remake of Going in Style that many would be hard-pressed to identify as a movie that actually exists. Technically, it’s also his biggest worldwide grosser. (Perhaps Kevin Smith, whose forgettable Cop Out handily out-earned his signature Jersey-centric movies, could relate.)
A Good Person, Braff’s fourth feature as a director and third as a writer, returns him to Garden State territory–physically, if not necessarily spiritually. Once again, a drifting twentysomething protagonist crashes at the home of a parent in New Jersey and sifts through some emotional wreckage in the process. Only in this case, Allison (Florence Pugh) has some literal wreckage to contend with, too. Early in the film, her happiness with her fiancé Nathan (Chinaza Uche) is interrupted by a horrific auto accident. Nathan isn’t actually in the car, and Allison survives–but her passengers, Nathan’s sister and brother-in-law, are both killed. The movie skips forward in time to find Allison and Nathan broken up. Allison is living with her mother (Molly Shannon) and nursing a dependence on painkillers initially prescribed to aid her recovery; Ryan (Celeste O’Connor), teenage daughter of the deceased couple, is living with Nathan’s estranged father Daniel (Morgan Freeman).
Perhaps surprisingly, given Braff’s one-time facility with wistful rom-com–that’s really what Garden State is, and how it works best–the most compelling material in A Good Person has to do with Allison’s addiction to opiates, and her early-movie desperation to find new ways to procure them. Maybe it’s the novelty of seeing a Braff-penned character actually struggling with the hard work of quitting dangerous drugs, rather than triumphantly emerging unscathed from a generic overmedicated numbness, a la his best-known film (though between the two, there’s certainly an odd strain of skepticism about the medication in general).