Footballhead Stick the Landing On Overthinking Everything
The complementary symbiosis of Ryan Nolen and snow ellet’s creative partnership is on full display on the Chicago alt-rock project's thrill-seeking debut.

It isn’t hard to love Footballhead. There’s the feel-good come-up of frontman Ryan Nolen, a Chicago-born, California-grown skater boy who only decided to start performing music after a neighbor pushed him to play Pixies covers at historic Windy City punk dive bar The Mutiny. And there’s the band’s nostalgic 120 Minutes-alt-rock-meets-Fantasy Factory skatepark mentality, a creative vision that bridges the two-thousand-mile gap between the sunny rays of Southern California and the windchill of the so-called flyover states.
Growing up in the suburbs of west Chicago, Nolen was infatuated with the punk-oriented ethos of Y2K alt-rock. When his family relocated to the West Coast while he was still a teenager, his love of music only grew deeper, as he came of age to the sound of bands like blink-182 and Third Eye Blind against a brilliant backdrop of 411 skate videos and ripped mp3 files from Limewire. But while Nolen dabbled in songwriting and production with fuzzy MacBook-made GarageBand demos during his time at San Diego State University, it wasn’t until he moved back to Chicago that he really began to pursue music. He earned a spot in local space rock band Kirby Grip, but found some of the material he was developing to be too poppy for that group. Enter Footballhead, which Nolen first envisioned as merely a solo project. That changed after he met local bubbling under emo newcomer snow ellet, who soon became his main collaborator and worked with him to round out the lineup with bassist Adam Siska of The Academy Is…, Liam Burns and Robbie Kuntz.
And with debut LP Overthinking Everything, Footballhead have finally arrived. Originally a summer 2023 digital self-release, the band made the decision to pull the album from streaming services and partner with independent label Tiny Engines for a proper rollout. Remastered by Jesse Cannon (known for his work with Basement, the Menzingers, Saves The Day and Somos), the quintet’s first outing is a high-voltage, pop-punk acid drop that harkens back to the salad days of Box Car Racer, cut-off Dickies and double kickflips.